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Marc-André Hamelin, OC, OQ (born September 5, 1961) is a Canadian virtuoso pianist and composer [1] who has received 11 Grammy Award nominations. [2] He is on the faculty of the New England Conservatory of Music .
Richard-Hamelin was born in Lanaudière, Quebec, [3] and took his first piano lessons with his father. [1] He studied at McGill University , where he received his bachelor's degree in 2011. He completed his master's degree at Yale School of Music in 2013.
Circus Galop is a piece written for player pianos by Marc-André Hamelin. It was composed between the years 1991 and 1994 and is dedicated to Beatrix and Jürgen Hocker, piano roll makers. Its duration is approximately 4–5 minutes. [ 1 ]
Roslavets: Piano Music. Piano Sonata No. 1 (1914) Prelude (1919 or 1921) 2 Compositions (1915) Piano Sonata No. 2 (1916) 2 Poems (1920) 5 Preludes (1919–1922) Piano Sonata No. 5 (1923) August 1996 Hyperion: 1996 Grainger: Piano Music. British Folk-Music Settings; No. 4 Shepherd's Hey No. 6 Londonderry Air No. 19 Molly on the Shore (1907) No ...
Study (No. 44a) in F minor (Variational form, [2] completed by Marc-André Hamelin [3]) Study in A minor (No. 50) Op. 10 No. 2, Op. 25 No. 4 and Op. 25 No. 11 (Combined in one study) [2] Recordings. There's a couple of recordings on the March and Study 50, [4] [5] though there is no live recording for now. Hamelin has a recording of his own ...
Hamelin co-wrote, produced and mixed the Leikeli47 track "Chain Gang" for the soundtrack to the 2018 film Uncle Drew. [ 12 ] Hamelin produced 9 songs on 070 Shake 's 2020 album Modus Vivendi [ 13 ] and was an executive producer on her sophomore album You Can't Kill Me , [ 14 ] contributing to every song on the album.
It went to #4 in the United States, #5 in the United Kingdom, and #1 in Canada. [ 3 ] [ 4 ] The song's title refers to a fairy tale from German folklore, the titular character of which is The Pied Piper of Hamelin .
Corigliano partially based the form of the work on Robert Browning's narrative poem "The Pied Piper of Hamelin," arguably the most famous version of the tale. However, the composer altered the narrative to better fit a musical setting, explaining, "The biggest problem was that the legend per se had no elements of virtuosity in it; the Pied ...