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Static received generally favorable reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album has received an average score of 73 out of 100, which indicates "generally favorable reviews," based on 26 reviews. [6]
Cults is the debut album by American indie pop band Cults. The album was released in the US on June 7, 2011 on In the Name Of, an imprint of Columbia Records. The album was recorded over the course of 2010 and early 2011. In early 2010, the band released an EP, which featured two of the songs to appear on the album; "Go Outside" and "Most Wanted".
Cult of Static is the sixth studio album by American industrial metal band Static-X. It was released on March 17, 2009 via Reprise Records. The album's first single "Stingwray" was released and made available on the band's MySpace page on February 17, 2009. The album's title is a reference to the die-hard fans who have supported the band for so ...
The album received generally positive reviews, [16] [17] and a second "Best New Music" from Pitchfork was earned for the track "Abducted". [18] In 2011, Cults collaborated with the group Superhuman Happiness on a version of the track "Um Canto De Afoxé para o Bloco Do Ilê" for the Red Hot Organization's most recent charity album Red Hot+Rio 2.
It should only contain pages that are Cults (band) albums or lists of Cults (band) albums, as well as subcategories containing those things (themselves set categories). Topics about Cults (band) albums in general should be placed in relevant topic categories .
Despite one long review in Rolling Stone, the album arrived so quietly that it mainly existed through word-of-mouth, which made the CD in your hand seem a precious thing, something you would have ...
Project: Regeneration Vol. 1 [6] is the seventh studio album by American industrial metal band Static-X.It was released on July 10, 2020, [7] by Otsego Entertainment Group and distributed by The Orchard Music, a subsidiary of Sony Music.
In a review that made its way onto the rear cover of the UK paperback (breathe Neil, breathe!), I called Billy Summers King’s best book in years. I stand by the claim, because although the book ...
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