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Wachet auf, ruft uns die Stimme ('Awake, calls the voice to us'), [1] BWV 140, also known as Sleepers Awake, is a church cantata by Johann Sebastian Bach, regarded as one of his most mature and popular sacred cantatas. He composed the chorale cantata in Leipzig for the 27th Sunday after Trinity and first performed it on 25 November 1731.
Johann Sebastian Bach based his chorale cantata Wachet auf, ruft uns die Stimme, BWV 140, on the hymn [12] and derived one of the Schübler Chorales, BWV 645, from the cantata's central movement. His son Johann Christoph Friedrich Bach wrote a cantata for a four-part choir, Wachet auf, ruft uns die Stimme.
"Sleepers Awake", English name for the hymn "Wachet auf, ruft uns die Stimme" (1599) by Philipp Nicolai "Sleepers awake", English name for the chorale cantata Wachet auf, ruft uns die Stimme, BWV 140 (1731), by Johann Sebastian Bach, based on Nicolai's hymn; The Sleeper Awakes (1910), dystopian novel by H. G. Wells about a man who sleeps for ...
The following is a list of church cantatas, sorted by the liturgical occasion for which they were composed and performed.The genre was particularly popular in 18th-century Lutheran Germany, although there are later examples.
The late church cantatas by Johann Sebastian Bach are sacred cantatas he composed after his fourth cycle of 1728–29. Whether Bach still composed a full cantata cycle in the last 20 years of his life is not known, but the extant cantatas of this period written for occasions of the liturgical year are sometimes referred to as his fifth cycle, as, according to his obituary, he would have ...
In the United Kingdom, it has been published under the title of the original novella, Cantata 140, published in the July 1964 issue of The Magazine of Fantasy & Science Fiction. [1] This original title refers to the short title in English, Sleepers Awake , of J.S. Bach 's Cantata BWV 140 and the novel's 'bibs', the millions sleeping in ...
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Bach's third Orchestral Suite in D major, composed in the first half of the 18th century, has an "Air" as second movement, following its French overture opening movement. . The suite is composed for three trumpets, timpani, two oboes, strings (two violin parts and a viola part), and basso contin