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Screen printing is a printing technique where a mesh is used to transfer ink (or dye) onto a substrate, except in areas made impermeable to the ink by a blocking stencil.A blade or squeegee is moved across the screen in a "flood stroke" to fill the open mesh apertures with ink, and a reverse stroke then causes the screen to touch the substrate momentarily along a line of contact.
Riso film is a Japanese silk screen product composed of a Saran-type plastic that has been bonded to a screen mesh of various sizes. When the Riso film is exposed to the infrared bulb inside the machine, the saran plastic emulsion side opens up wherever there is an ink toner on the photocopy.
Originally called the Silk Screen Group, the name was soon changed to the National Serigraph Society. [5] The National Serigraph Society had its own gallery, the Serigraph Gallery at 38 West 57th Street in New York City. [6] They published a quarterly newsletter called the "Serigraph Quarterly."
He would then place a silk mesh screen on the original and saturate the screen with coloured ink and emulsion using a squeegee. The saturated screen would then be placed on the surface of the print and this process would be repeated for each block of colour. For Untitled from Marilyn Monroe, Warhol used five different mesh screens for each print.
Until 2007 the two main methods of printing on glass were silk screen printing and digital UV printing. Silk screen printing, where the ink is applied directly onto the surface of the glass through a mesh stencil, was patented in 1907. Screen printed transfers, where the image is transferred from a paper onto the glass, was patented in the ...
It is removed from the film in the fix step and is sometimes recovered for subsequent use or sale. Fixing leaves behind only the formed color dyes, which combine to make up the colored visible image. Later color films, like Kodacolor II, have as many as 12 emulsion layers, [2] with upwards of 20 different chemicals in each layer.
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Citing the pioneering efforts of artist Anthony Velonis, who initially spearheaded the use of the silk screen technique in the Poster Division of the W.P.A., for recognizing the possibilities of the medium, Warsager noted that the 'economy and ease of this process enabled the artist to employ sixteen to twenty colors to a print, whereas color ...
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