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  2. Vocal warm-up - Wikipedia

    en.wikipedia.org/wiki/Vocal_warm-up

    A vocal warm-up is a series of exercises meant to prepare the voice for singing, acting, or other use. Vocal warm-ups are essential exercises for singers to enhance vocal performance and reduce the sense of effort required for singing. Research demonstrates that engaging in vocal warm-ups can temporarily elevate vocal effort, which normalizes ...

  3. Warming up - Wikipedia

    en.wikipedia.org/wiki/Warming_up

    Swimmers perform squats prior to entering the pool in a U.S. military base, 2011 Steven Gerrard warming up prior to a football match in 2010.. A warm-up generally consists of a gradual increase in intensity in physical activity (a "pulse raiser"), joint mobility exercise, and stretching, followed by the activity.

  4. Meisner technique - Wikipedia

    en.wikipedia.org/wiki/Meisner_technique

    Sanford Meisner began developing his approach to acting technique while working with the Group Theatre alongside director Lee Strasberg and actress Stella Adler.He continued developing his approach over the next fifty years while working with actors as head of the acting program at New York City's Neighborhood Playhouse School of the Theatre as well as while training actors in his private ...

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  6. Acting - Wikipedia

    en.wikipedia.org/wiki/Acting

    Training may also start at a very young age. Acting classes and professional schools targeted at under-18s are widespread. These classes introduce young actors to different aspects of acting and theatre, including scene study. Increased training and exposure to public speaking allows people to maintain a calmer and more relaxed physiology. [3]

  7. File:Dilson Herrera in warmups, March 3, 2019 (cropped).jpg

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  8. Men Over 40 Should Add This Playground Staple to Their Warmups

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  9. Stanislavski's system - Wikipedia

    en.wikipedia.org/wiki/Stanislavski's_system

    His system cultivates what he calls the "art of experiencing" (with which he contrasts the "art of representation"). [2] It mobilises the actor's conscious thought and will in order to activate other, less-controllable psychological processes—such as emotional experience and subconscious behaviour—sympathetically and indirectly. [3]