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Port with the disembarkation of Cleopatra in Tarsus (1642), by Claude Lorrain, Musée du Louvre, Paris. Light in painting fulfills several objectives like, both plastic and aesthetic: on the one hand, it is a fundamental factor in the technical representation of the work, since its presence determines the vision of the projected image, as it affects certain values such as color, texture and ...
Christ at Rest, by Hans Holbein the Younger, 1519, a chiaroscuro drawing using pen, ink, and brush, washes, white heightening, on ochre prepared paper. The term chiaroscuro originated during the Renaissance as drawing on coloured paper, where the artist worked from the paper's base tone toward light using white gouache, and toward dark using ink, bodycolour or watercolour.
Monet made light the central focus of his paintings. To capture its variations, he would sometimes complete a painting in one sitting, often without preparation. [109] He wished to demonstrate how light altered colour and perception of reality. [24] His interest in light and reflection began in the late 1860s and lasted throughout his career. [21]
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience.
Baroque art was meant to evoke emotion and passion instead of the calm rationality that had been prized during the Renaissance. Among the greatest painters of the Baroque period are Velázquez, Caravaggio, [5] Rembrandt, [6] Rubens, [7] Poussin, [8] and Vermeer. [9] Caravaggio is an heir of the humanist painting of the High Renaissance.
What Great Paintings Say. Taschen. ISBN 3-8228-2100-4; Henderson, Andrea and Vincent Katz. (2008). Picturing New York: The Art of Yvonne Jacquette and Rudy Burckhardt. Museum of the City of New York, Contributor. Bunker Hill Publishing. ISBN 1-59373-065-9. Licht, Fred. (1979). Goya: The Origins of the Modern Temper in Art. Universe Books. ISBN ...
[8] [9] Late artists Mel and Dorothy Tanner began their light and space art in the 1960s, unaware of the movement in California. A famous group of abstract color theory artists were influenced by the Light and Space Movement, notably:Frederick Spratt, [10] Phil Sims, Anne Appleby, and David Simpson.
When it comes to individual styles, Pierre Bonnard was a Colourist painter, known for putting emphasis on the relationship of the subjects of his art with light and colour. He was part of a Parisian artist group, the Nabis, who were known for their decorative painting full of colour and patterns.
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