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The scholar John Michael Cooper has investigated in detail the history of Mendelssohn's revisions to the symphony. [4] [5] Christopher Hogwood has edited a critical edition, published by Bärenreiter, of the symphony that includes the original standard version and Mendelssohn's revisions to the last 3 movements.
From n.º 8 on, we find a more sophisticated writing, probably influenced by Mendelssohn's study on the organistic repertoire. The whole of Symphonies 9, 10 and 13 and some movements in n.º 8, 11 and 12 ask for two viola sections, a forgotten feature since the baroque period.
The album omits Nos. 4, 10 and 12 from Mendelssohn's score, replacing the latter with a relocated No. 8, a reprise of part of the Nocturne and a brief violin solo. The vocal numbers use the German texts for which Mendelssohn composed his music, not the English verses from which they were translated. [1]
1952 Mendelssohn; Symphony No. 4 in A, Italian; 1952 Mozart: Symphony No. 41 in C, K. 551. Jupiter, same as Memories release; 1952 Schubert: Symphony No. 5 in B-flat; 1952 Schubert: Symphony No. 8 in B minor, Unfinished; 1952 Wagner: Tristan and Isolde – Prelude & Liebestod; 1953 Auber: La Muette de Portici Overture, same as BSO release
Mendelssohn Symphony No. 3 Scottish: A minor Op. 56 1842 34 23 Mendelssohn Symphony No. 4 Italian: A major Op. 90 1833 27 22 Brahms Symphony No. 1: C minor Op. 68 1876 44 21 Mahler Symphony No. 1 Titan: D major 1894 54 20 Brahms Symphony No. 4: E minor Op. 98 1885 40 19 Schubert Symphony No. 8 Unfinished: B minor D. 759 1822 27 18 Mahler ...
String Symphony No. 4 in C minor (1821) String Symphony No. 5 in B flat major (1821) String Symphony No. 6 in E flat major (1821) String Symphony No. 7 in D minor (1822) String Symphony No. 8 in D major (later arranged for full orchestra) (1822) String Symphony No. 9 in C minor (1823) String Symphony No. 10 in B minor (1823)
Alexander Scriabin inserted a theme reminiscent of the Dresden amen in the first movement (Luttes ["Struggles"]) of his Symphony no. 3. Eric Ball 's tone poem The Kingdom Triumphant , a musical picture of the first and second coming of Christ , uses the Dresden amen prior to the presentation of the hymn Helmsley with its associated words "Lo ...
Symphony No. 3 (Mendelssohn) Symphony No. 4 (Mendelssohn) Symphony No. 5 (Mendelssohn) This page was last edited on 2 April 2013, at 01:53 (UTC). Text is available ...