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The Roland MKS-20 is a digital piano–type sound module released by Roland Corporation in 1986, simultaneously with the Roland RD-1000 digital stage piano.The MKS-20 and RD-1000 share the same "Structured/Adaptive Synthesis" sound engine; the RD-1000 integrates that engine into a musical keyboard-type MIDI controller with size, weight, and features similar to the Roland MKB-1000.
Rhodes was dissatisfied with Roland's treatment of the marque, and had plans to reintroduce his iconic electric piano, but died before he was able to bring it to market. [ 45 ] V-MODA designs and develops "world‑class high‑fidelity headphones and audio devices" and became a part of the Roland family on 8 August 2016 also known as 808 Day.
Roland Peter Pöntinen (born 1963 in Stockholm, Sweden) ... Pöntinen's solo record debut was a recital of Russian piano music on the BIS Records label in 1984. He ...
This article is a list of piano brand names from all over the world. This list also includes names of old instruments which are no longer in production. Many of these piano brand names are "stencil pianos", which means that the company which owns the brand name is simply applying the name to a piano manufactured for them by another company,
The new venture was a strategic move by Roland to enter the lucrative high-end home keyboard market which had hitherto been dominated by Yamaha and Technics. Featuring auto accompaniment, and built in speakers the E-20 used the advanced Linear Arithmetic or "LA" synthesis system as used on the Roland MT-32 sound module.
It was the keyboard version of the U-220 rack module, which was in turn a similar follow-up product to Roland's U-110 rack module of 1988. The U-20 is described by Roland as a 'RS-PCM keyboard', where RS stands for R e S ynthesized because the sound-engine can play back a modified version of stored PCM samples.
The Roland XP-80 is a music workstation that uses digital PCM subtractive synthesis and combines an updated version of the JV-1080 synthesizer engine with the sequencer capabilities of the Roland MRC-Pro sequencer. The XP-80 was introduced in 1996 [1] and is now discontinued.
Roland also produced the 76-key, 6-octave Super-LA D-70 (1989-1990). With the D-70 Roland removed the digital synthesis section, which was replaced with full-length, more realistic and natural-sounding samples, including an acoustic piano, which the D-50 lacked. The D-70 also had an expanded filter and effects section and was 5 part multi-timbral.
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