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The Parthenon's west pediment depicted the contest between Athena and Poseidon over Attica and the east pediment the birth of Athena. [15] Classical archeologists since Johann Joachim Winckelmann's Geschichte der Kunst des Alterthums (published 1764) have recognized Greek pediment sculpture, in particular the pediments of the Parthenon, as the standard of the highest-quality art in antiquity. [16]
The pediments of the Parthenon included many statues. The one to the west had a little more than the one to the east. [8] In the description of the Acropolis of Athens by Pausanias, a sentence informs about the chosen themes: the quarrel between Athena and Poseidon for Attica in the west and the birth of Athena in the east.
Open pediments on windows at the Palazzo Farnese, Rome, by Antonio da Sangallo the Younger, begun 1534. A variant is the "segmental" or "arch" pediment, where the normal angular slopes of the cornice are replaced by one in the form of a segment of a circle, in the manner of a depressed arch. [10]
The sculptures preserve extensive traces of a complex paint scheme, and are crucial for the study of painting on ancient sculpture. The marbles are finished even on the back surfaces of the figures, despite the fact that these faced the pediment and were thus not visible. Sculpture of a warrior from the west pediment of the Temple of Aphaia II.
Sculpture from Eastern Pediment. The Eastern pediment of the Temple of Zeus at Olympia depicts the tale of Pelops just before the chariot race [1] wherein he kills the king Oenomaus in order to win the hand of his daughter Hippodamia. [2]
The god Apollo is featured on the western pediment pointing towards the human side in the Centauromachy, indicating his favor, and towards the northern side of the temple. [10] Pausanias reports in his Description of Greece (5.10.8) that the Eastern pedimental sculpture was created by Paeonius and the Western sculpture was carved by Alcamenes. [11]
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