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William Tell (German: Wilhelm Tell, pronounced [ˈvɪlhɛlm ˈtɛl] ⓘ; French: Guillaume Tell; Italian: Guglielmo Tell; Romansh: Guglielm Tell) is a legendary folk hero of Switzerland. According to the legend, Tell was an expert mountain climber and marksman with a crossbow who assassinated Albrecht Gessler , a tyrannical reeve of the ...
William Tell (French: Guillaume Tell; Italian: Guglielmo Tell) is a French-language opera in four acts by Italian composer Gioachino Rossini to a libretto by Victor-Joseph Étienne de Jouy and L. F. Bis, based on Friedrich Schiller's play Wilhelm Tell, which, in turn, drew on the William Tell legend. The opera was Rossini's last, although he ...
William Tell (Italian: Guglielmo Tell) is a 1949 Italian historical drama film directed by Giorgio Pastina and Michał Waszyński and starring Gino Cervi, Monique Orban and Paul Muller. [1] The film is based on Friedrich Schiller 's 1804 play of the same title , which portrays the adventures of William Tell in his fight for Swiss independence.
The William Tell Overture is the overture to the opera William Tell (original French title Guillaume Tell), composed by Gioachino Rossini. William Tell premiered in 1829 and was the last of Rossini's 39 operas, after which he went into semi-retirement (he continued to compose cantatas, sacred music and secular vocal music).
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This is a partial discography of William Tell (French: Guillaume Tell), an opera with music by Gioachino Rossini and a French libretto by Etienne de Jouy and Hippolyte Bis. The work was first performed on 3 August 1829 by the Paris Opera at the Salle Le Peletier .
William Tell (German: Wilhelm Tell, German pronunciation: [ˈvɪlhɛlm ˈtɛl] ⓘ) is a drama written by Friedrich Schiller in 1804. The story focuses on the legendary Swiss marksman William Tell as part of the greater Swiss struggle for independence from the Habsburg Empire in the early 14th century.
It was first performed by the Comédie-Italienne at the first Salle Favart in Paris on 9 April 1791 and was revived on 24 May 1828 at the Salle Feydeau in a version much revised by Henri-Montan Berton with music borrowed from other works of Grétry, including Amphitryon, Céphale et Procris, Aucassin et Nicolette, Callias, and Élisca, and a new libretto by Jean-Baptiste Pélissier. [1]