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The yellow salon of Queen Louise of Prussia in the City Palace, Potsdam (c.1840), by Friedrich Wilhelm Klose (1804–1863). The interior portrait (portrait d'intérieur) or, in German, Zimmerbild (room picture), is a pictorial genre that appeared in Europe near the end of the 17th century and enjoyed a great vogue in the second half of the 19th century.
The painting is filled with references to this tension. The children are surrounded by painted portraits, and the photographer's back is to the viewer with his face obscured. The girl appears to be supporting the boy and holding him still, as might have been necessary when posing a child for an early photograph due to the long exposure time. [ 4 ]
At the beginning of the 1890s, Ramon Casas began painting interior scenes with a female figure always present. Over My Dead Body, one of the first of the series, Casas paints a young woman standing between two doorways . Her posture appears to be looking out at someone and preventing them from entering the room. [1]
Both paintings are naturalistic depictions of the interior of the Palm House, with a central group of figures who are presumably a fanciful insertion. At the center of each painting, four odalisques dressed in Oriental-style, gold-trimmed outfits are lounging on cushions and a carpet. [6]
The choice of paint color on the walls in Victorian homes was said to be based on the use of the room. Hallways that were in the entry hall and the stair halls were painted a somber gray so as not to compete with the surrounding rooms. Most people marbleized the walls or the woodwork.
Painting became her life for the next half-century. On canvas and on paper, large and small. She preferred house paint, the same as revered artists Jackson Pollock and Pablo Picasso.
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