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This drawing made by a 17th-century Icelander shows the four stags on the World Tree. Neither deer nor ash trees are native to Iceland. In Norse mythology, four stags or harts (male red deer) eat among the branches of the world tree Yggdrasill. According to the Poetic Edda, the stags crane their necks upward to chomp at the branches. The ...
Rose painting with floral paintings in a traditional design. Rose-painting, rosemaling, rosemåling or rosmålning is a Scandinavian decorative folk painting that flourished from the 1700s to the mid-1800s, particularly in Norway.
Nordic folklore is the folklore of Denmark, Norway, Sweden, Iceland and the Faroe Islands.It has common roots with, and has been under mutual influence with, folklore in England, Germany, the Low Countries, the Baltic countries, Finland and Sápmi.
Nordic art is the art made in the Nordic countries: Denmark, Faroe Islands, Finland, Iceland, Norway, Sweden, and associated territories. Scandinavian art refers to a subset of Nordic art and is art specific for the Scandinavian countries Denmark, Sweden and Norway.
Gold jewellery from the 10th century Hiddensee treasure, mixing Norse pagan and Christian symbols. Pair of "tortoise brooches," which were worn by married Viking women. Viking art, also known commonly as Norse art, is a term widely accepted for the art of Scandinavian Norsemen and Viking settlements further afield—particularly in the British Isles and Iceland—during the Viking Age of the ...
A Skogsrå meeting a man, as portrayed by artist Per Daniel Holm in the 1882 book Svenska folksägner. The Skogsrå (Swedish: skogsrået [ˈskʊ̂ksˌroːɛt] ⓘ; lit. ' the Forest Rå '), Skogsfrun ('the Mistress of the Forest'), Skogssnuvan, Skogsnymfen ('the Forest Nymph'), Råndan ('the Rå') or Huldran, is a mythical female creature (or rå) of the forest in Swedish folklore.
Swedish culture is an offshoot of the Norse culture which dominated southern Scandinavia in prehistory.Sweden was the last of the Scandinavian countries to be Christianised, with pagan resistance apparently strongest in Svealand, where Uppsala was an old and important ritual site as evidenced by the tales of Uppsala temple.
Though usually not especially a major centre for art production or exporter of art, Denmark has been relatively successful in keeping its art; in particular, the relatively mild nature of the Danish Reformation, and the lack of subsequent extensive rebuilding and redecoration of churches, has meant that with other Scandinavian countries ...