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The pomegranate (Punica granatum) is a fruit-bearing deciduous shrub in the family Lythraceae, subfamily Punicoideae, that grows between 5 and 10 m (16 and 33 ft) tall.. Rich in symbolic and mythological associations in many cultures, it is thought to have originated from Afghanistan and Iran before being introduced and exported to other parts of Asia, Africa, and Eur
Sheet music, primarily vocal music of American imprint, dating from the 18th century to the present, with most titles in the period 1840–1950. John Hay Library at Brown University: ART SONG CENTRAL: downloadable, IPA transcriptions, vocal: 1,000 Printable sheet music primarily for singers and voice teachers—most downloadable.
Ebenezer Prout: Clarinet Sonata, Op. 26 (1882) [3] Felix Draeseke: Clarinet Sonata (1887), which also can be played by a violin; Samuel Coleridge-Taylor: Clarinet Sonata (c1893) [4] Josef Rheinberger:Clarinet Sonata, Op. 105a (1893) Johannes Brahms: Clarinet Sonata No. 1 (1894) Clarinet Sonata No. 2 (1894) William Henry Hadow: Clarinet Sonata ...
Compositions for clarinet, violin, cello and piano (3 P) Pages in category "Compositions for clarinet" The following 25 pages are in this category, out of 25 total.
Leonard Bernstein's Sonata for Clarinet and Piano, [1] written during 1941–42 and published in 1942, was Bernstein's first published piece. [2] It is dedicated to clarinetist David Oppenheim , whom Bernstein met while studying conducting with Serge Koussevitzky at Tanglewood during the summers of 1940 and 1941.
Fruit globose, 2–3 cm in diameter. Flowers and fruits from December and January through to the summer. P. protopunica is considered to be the precursor to the pomegranate (P. granatum) and is the only other species in the genus Punica. It differs from the pomegranate in having pink (not red), trumpet-shaped flowers and smaller, less sweet fruit.
The Clarinet Sonatas, Op. 120, Nos. 1 and 2, are a pair of works written for clarinet and piano by the Romantic composer Johannes Brahms. They were written in 1894 and are dedicated to the clarinetist Richard Mühlfeld. The sonatas stem from a period late in Brahms's life where he discovered the beauty of the sound and tonal colour of the ...
By this time, he had already composed some of the songs that would later appear on the album. [3] In a note accompanying the released album, Jaar wrote that he was "dumbfounded" by his first viewing of the film: [3] "I felt the aesthetic made complete sense with the strange themes I had been obsessed with over the past couple of years...