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Another European tour, with UK dates, followed that autumn. To tone down their name's gothic connotations and gain broader appeal, the band changed its name to "the Cult" in January 1984 before appearing on the Channel 4 television show, The Tube. The Cult's debut studio album, Dreamtime, was recorded at Rockfield Studios, in Monmouth, Wales in ...
The Cult returned to touring in October 1991, with Astbury and Duffy joined by bassist Kinley Wolfe and drummer Michael Lee. [19] The tour spawned a live album, Live Cult, which was released in 1993. [20]
The Cult in concert in 2007. Studio albums: 11: EPs: 22: Live albums: 2: ... Pure Cult: For Rockers, Ravers, Lovers, and Sinners "Coming Down (Drug Tongue)" 1994 50 40
Ian Robert Astbury [1] [2] (born 14 May 1962) is an English singer, best known as the lead vocalist, frontman and a founding member of the rock band the Cult. [3] During various hiatuses from the Cult, Astbury fronted the short-lived band Holy Barbarians in 1996, and later from 2002 to 2007 served as the lead singer of Riders on the Storm, a Doors tribute band that also featured original Doors ...
[5] Instead of releasing albums, The Cult released two EPs, titled Capsule 1 and Capsule 2, released in September and November 2010 respectively and the band toured to support them. During The Cult's concert at the Hammersmith Apollo in London on 21 January 2011, Astbury declared that The Cult would be recording a new album directly after the tour.
Sonic Temple is the fourth studio album by British rock band The Cult, released on 10 April 1989.Described by guitarist Billy Duffy as "rock music from a European perspective with the sensibilities of punk", [6] the album features some of the band's most popular songs, including "Fire Woman" and "Edie (Ciao Baby)".
In 2001, at the request of Billy Duffy, Morrison joined The Cult as the band's bass player. Although he primarily plays rhythm guitar, he enjoyed the idea of playing bass for such a seminal rock band. He toured with The Cult for more than a year, which included playing shows in the UK and Japan and touring with Aerosmith in the U.S.
The Cult reached a larger, mainstream audience, but the public's attention could not be sustained with their next album, Ceremony, at the dawn of the grunge age. Following the 'Ceremonial Stomp' tour of 1992, Astbury pressured Duffy to return to their roots, with the Cult's self-titled album. This would ultimately lead to Astbury's departure ...
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