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Excerpt of a shawl talim (1882). Talim (Kashmiri: تعليم, Kashmiri pronunciation: [t̪əːliːm], Urdu: تَعْلِیم, Arabic: تعليم, pronounced ⓘ) in textiles is a symbolic code and system of notation that facilitates the creation of intricate patterns in fabrics, such as shawls and carpets, [1] and the written coded plans that include colour schemes and weaving instructions.
Bingata fabric 19th century ramie Ryukyuan dress showing bingata-dyed design of bamboo, cranes and plum blossoms. Bingata (Okinawan: 紅型, literally "red style") is a traditional stencilled resist dyeing technique originating in Okinawa Prefecture.
The first step in creating Kalamkari is steeping it in astringents and buffalo milk and then drying it under the sun. [16] Afterwards, the red, black, brown, and violet portions of the designs are outlined with a mordant and cloth are then placed in a bath of alizarin. [16]
Alabere: Stitching raffia onto the fabric in a pattern prior to dyeing. The raffia palm is stripped, and the spine sewn into the fabric. After dyeing the raffia is usually ripped out, although some choose to leave it in and let wear and tear on the garment slowly reveal the design. Eleko: Resist
When the cloth was steamed, the dyes would penetrate the cloth, while the paste remained on the surface. The nori thus acted as both a dye and a resist against the other dyes. Stencils were extensively used. In 1879, this technique was used to dye a wool cloth called mosurin, producing mosurin-yuzen [3] (wool was a new import to Japan at the time).
Beni itajime is a block-resist dyeing method that was common throughout the Meiji period (1868-1912), used to create red lining fabrics with crisp white designs. In China, the jia xie method, invented around 500 AD, uses wooden blocks to dye patterns onto fabric, usually silk. An upper and a lower block is made, with carved out compartments ...
Patachitra or Pattachitra is a general term for traditional, cloth-based scroll painting, [5] based in the eastern Indian states of Odisha, [6] [7] West Bengal [8] and parts of Bangladesh. Patachitra artform is known for its intricate details as well as mythological narratives and folktales inscribed in it.
All of these items – felt, yarn, fabric, and finished objects – are collectively referred to as textiles. [3] The textile arts also include those techniques which are used to embellish or decorate textiles – dyeing and printing to add color and pattern; embroidery and other types of needlework; tablet weaving; and lace-making.
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