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"Next to You" is the last song The Police played live together. When Sting originally presented the song to his bandmates, they felt it was neither aggressive nor political enough for the band's early punk sensibility. Andy Summers and Stewart Copeland suggested replacing the lyrics, with Summers offering "I'm going to take a gun to you". Sting ...
Musical Western Outlaw Treasure: Oliver Drake: Johnny Carpenter, Adele Jergens: B Western Rage at Dawn: Tim Whelan: Randolph Scott, Forrest Tucker, Mala Powers, J. Carrol Naish, Edgar Buchanan, Myron Healey, Howard Petrie, Ray Teal, William Forrest, Denver Pyle, Trevor Bardette, Kenneth Tobey: Traditional Western The Road to Denver: Joseph Kane
Minor chords are noted with a dash after the number or a lowercase m; in the key of D, 1 is D major, and 4- or 4m would be G minor. Often in the NNS, songs in minor keys will be written in the 6- of the relative major key. So if the song was in G minor, the key would be listed as B ♭ major, and G minor chords would appear as 6-.
Next to You or Next 2 You may refer to: Songs "Next to You" (The Police song), 1978, covered by The Offspring and by Ednaswap "Next to You", by Paula Abdul from ...
"I Can't Get Next to You" is a 1969 single recorded by the Temptations and written by Norman Whitfield and Barrett Strong for the Gordy label. The song was a No. 1 single on the Billboard Top Pop Singles chart for two weeks in 1969, from October 18 to October 25, replacing " Sugar, Sugar " by the Archies and replaced by " Suspicious Minds " by ...
William James Dixon (July 1, 1915 – January 29, 1992) was an American blues musician, vocalist, songwriter, arranger and record producer. [1] He was proficient in playing both the upright bass and the guitar, and sang with a distinctive voice, but he is perhaps best known as one of the most prolific songwriters of his time.
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Some 20th-century theorists, notably Howard Hanson, [2] Carlton Gamer, [3] and Joseph Schillinger [4] expand the term to refer to any combination of three different pitches, regardless of the intervals. Schillinger defined triads as "A structure in harmony of but three parts; conventionally, but not necessarily, the familiar triad of ordinary ...