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The title of the Ukiyo-e print series Edo-no-Hana Meisho-e translates into English as The Flowers of Edo: A Collection of Famous Places. [1] The Flowers of Edo was a phrase used to describe the finest features of everyday life, as experienced in the various districts of Japan’s Tokugawa capital during the mid-nineteenth century. [2]
Ukiyo-e [a] (浮世絵) is a genre of Japanese art that flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica.
Itchiku Kubota Art Museum, Fujikawaguchiko, Yamanashi. Itchiku Kubota (久保田 一竹, Kubota Itchiku) (1917–2003) was a Japanese textile artist. He was most famous for reviving and in part reinventing an otherwise lost late 15th- to early 16th-century textile dye technique known as tsujigahana (lit. "flowers at the crossroads"), which became the main focus for much of his life's work. [1]
Ohara Koson (also Ohara Hōson, Ohara Shōson) (Kanazawa 1877 – Tokyo 1945) was a Japanese painter and woodblock print designer of the late 19th and early 20th centuries, at the forefront of shinsaku-hanga and shin-hanga art movements. [1] Ohara Koson was famous as a master of kachō-e (bird-and-flower) designs. Throughout a prolific career ...
Ogata Kōrin (Japanese: 尾形光琳; 1658 – June 2, 1716) was a Japanese landscape illustrator, lacquerer, painter, and textile designer of the Rinpa School. [ 1 ] [ 2 ] Kōrin is best known for his byōbu folding screens, such as Irises [ 3 ] and Red and White Plum Blossoms [ 4 ] (both registered National Treasures ), and his paintings on ...
The ukiyo-e collector Takeo Nagase purchased Fukagawa no Yuki in Paris from an ukiyo-e art dealer from Japan and brought it back to Japan in 1939. It was displayed in an exhibition ("Second Famous Works of Ukiyo-e Exhibition" ( 第2回浮世絵名作展覧会 , Dai-nikai Ukiyo-e Meisaku Tenrankai ) ) at the Matsuzakaya department store in the ...
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