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A list of films produced in Iran ordered by year of release. For an alphabetical list of Iranian films see Category:Iranian films. List of Iranian films before 1960; List of Iranian films of the 1960s; List of Iranian films of the 1970s; List of Iranian films of the 1980s; List of Iranian films of the 1990s; List of Iranian films of the 2000s
Title Director Cast Genre Notes 1930: Abi and Rabi: Ovanes Ohanian: Silent, Comedy: First Iranian silent movie 1931: Revenge on the Brother: Ebrahim Moradi
Opening English title Native title Director(s) Genre(s) Cast Ref. J U L Y 1 Dynamite: دینامیت Masoud Atyabi Comedy Pejman Jamshidi, Ahmad Mehranfar, Mohsen Kiaee, Nazanin Bayati, Ziba Karamali, Nader Soleimani, Omid Rouhani, Ardeshir Kazemi
Iranian-American co-production Malkoçoğlu Cem Sultan: Remzi Jöntürk, Hasan Sasanpour: Cüneyt Arkın, Pouri Banayi, Cihangir Ghaffari: Adventure, Historical: Iranian-Turkish co-production film The Nameless Knight: Halit Refiğ, Hasan Sasanpour: Cüneyt Arkın, Pouri Banayi: Historical, Fantasy: Iranian-Turkish co-production Mive-ye gonah ...
Saint Mary (Persian: مریم مقدس, also Maryam al-Muqaddasah, Maryam Moghaddas, Maryam Adhraa Maryam Al-Muqadasa; "The Honourable/Blessed Saint Mary") is a 2000 Iranian film by director Shahriar Bahrani, depicting the life of Mary the mother of Jesus, based on the Quran and Islamic tradition.
Iranian actor Ahmad Soleimani Nia plays the role of Jesus. [13] [14] Some Islamic organizations cite it in support of the Islamic view of Jesus. [15] Talebzadeh said of The Passion of the Christ, "Gibson's film is a very good film. I mean that it is a well-crafted movie but the story is wrong."
The first post-revolution Iranian film to attract worldwide attention Won Golden Montgolfiere at Nantes Three Continents Festival Jadehay sard: Massood Jafari Jozani: Drama: Screened at the 37th Berlin International Film Festival: 1986: Bashu, the Little Stranger: Bahram Bayzai: Susan Taslimi: Drama: Banned till released in 1989 1987: The ...
In his book Close Up: Iranian Cinema, Past, Present, Future (2001) Hamid Dabashi describes modern Iranian cinema and the phenomenon of [Iranian] national cinema as a form of cultural modernity. According to Dabashi, "the visual possibility of seeing the historical person (as opposed to the eternal Qur'anic man) on screen is arguably the single ...