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One or "a" (indefinite article), as exemplified in the following entries un poco or un peu (Fr.) A little una corda One string (i.e., in piano music, depressing the soft pedal, which alters and reduces the volume of the sound). For most notes in modern pianos, this results in the hammer striking two strings rather than three.
For acoustic and electric guitar, the standard tuning is "E,A,D,G,B,E" (from lowest string to highest). For the electric bass, the standard tuning is "E,A,D,G". Altered tunings are used to obtain lower notes (e.g. drop D tuning, in which the low E string is lowered to a D), facilitate the playing of slide guitar, or to allow the playing of ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
The first example is an unrecorded number by Buddy Bolden, remembered as either "Funky Butt" or "Buddy Bolden's Blues", with improvised lyrics that were, according to Donald M. Marquis, either "comical and light" or "crude and downright obscene" but, in one way or another, referring to the sweaty atmosphere at dances where Bolden's band played.
Another example is when G 7(♯ 11 ♭ 9) (G–B–D–F–A ♭ –C ♯) is formed from G major (G–B–D) and D ♭ major (D ♭ –F–A ♭). [30] A nonchord tone is a dissonant or unstable tone that lies outside the chord currently heard, though often resolving to a chord tone.
Brazy "Brazy" is another word for "crazy," replacing the "c" with a "b." It can also be used to describe someone with great skill or who has accomplished something seemingly impossible.
The most commonly found form of a polychord is a bichord (two chords played simultaneously) and is written as follows: upper chord / lower chord , for example: B / C (C–E–G—B–D ♯ –F ♯).
For example, in the open-G overtones tuning G–G–D–G–B–D, the (G,B) interval is a major third, and of course each successive pair of notes on the G- and B-strings is also a major third; similarly, the open-string minor-third (B,D) induces minor thirds among all the frets of the B-D strings.