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The horse appears less frequently in modern art, partly because the horse is no longer significant either as a mode of transportation or as an implement of war. Most modern representations are of famous contemporary horses, artwork associated with horse racing, or artwork associated with the historic cowboy or Native American tradition of the ...
Anderson had an interest in horses and drawing. When he wasn't out riding horses, he was drawing them, taking great interest in their bone structure and conformation. Anderson started his career by illustrating for other authors, but eventually began developing texts to accompany his realistic and lively black and white drawings.
Black Gold (1957) – about the horse Black Gold; Muley-Ears, Nobody's Dog (1959) All About Horses, with drawings by Wesley Dennis and photos (1962) Five O'Clock Charlie (1962) Stormy, Misty's Foal (1963) Portfolio of Horse Paintings, with commentary by Henry (1964) – "Published in 1952 under title: Portfolio of horses." LCCN 64-22279
The world's largest Dala horse, made of concrete and located in Avesta, Sweden. The world's largest Dala horse painting, painted by Shai Dahan in New York City 2019.. A Dala horse or Dalecarlian horse is a traditional carved, painted wooden statue of a horse originating in the Swedish province of Dalarna (Dalecarlia).
Voting period is over. Please don't add any new votes. Voting period ends on 19 Feb 2015 at 16:04:02 (UTC). Original – Equestrian Portrait of Charles I (1637-38); Painted by the Flemish master Anthony van Dyck (1599 1641) during his spell as painter to the court of Charles I.
Blue Horse I is an oil painting by Franz Marc completed in 1911. It is one of the painter's most famous works and is part of the collection of the Städtische Galerie im Lenbachhaus in Munich . The painting was part of several exhibitions that Franz Marc and fellow Russian painter Wassily Kandinsky presented to the public under the name Der ...
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Butterfield has said, "I first used the horse images as a metaphorical substitute for myself – it was a way of doing a self-portrait one step removed from the specificity of Deborah Butterfield." [7] She also said, "These first horses were huge plaster mares whose presence was extremely gentle calm. They were at rest, and in complete ...
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