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The Rape of Persephone, or Abduction of Persephone, is a classical mythological subject in Western art, depicting the abduction of Persephone by Hades.In this context, the word Rape refers to the traditional translation of the Latin raptus ('seized' or 'carried off') which refers to bride kidnapping rather than the potential ensuing sexual violence.
Persephone and Dionysos. Roman copy after a Greek original of the 4th–3rd century B.C. Marble. Hermitage.. In ancient Greek mythology and religion, Persephone (/ p ər ˈ s ɛ f ə n iː / pər-SEF-ə-nee; Greek: Περσεφόνη, romanized: Persephónē, classical pronunciation: [per.se.pʰó.nɛː]), also called Kore (/ ˈ k ɔːr iː / KOR-ee; Greek: Κόρη, romanized: Kórē, lit.
[3] The Sabine women; raped by the founders of Rome; Rhea Silvia, raped by Mars. Medusa; raped by Neptune in Minerva's temple, as the rape happens in Ovid's version. Lara; raped by Mercury as he escorted her to the Underworld. Caeneus; formerly known as Caenis raped by Neptune in Ovid's version. Endymion; raped by Selene while he was sleeping.
The Rape of Proserpina (Italian: Ratto di Proserpina), more accurately translated as The Abduction of Proserpina, [1] is a large Baroque marble group sculpture by Italian artist Gian Lorenzo Bernini, executed between 1621 and 1622, when Bernini's career was in its early stage.
The return of Persephone, by Frederic Leighton (1891) Mesopotamian mythology. Enkidu, in the Sumerian text Gilgamesh, Enkidu, and the Netherworld and in the final tablet of the Standard Babylonian Epic of Gilgamesh; Inanna/Ishtar, in an attempt to overthrow her sister, Ereshkigal, queen of the netherworld; Nergal, to make amends for ...
Proserpina (/ p r oʊ ˈ s ɜːr p ɪ n ə / proh-SUR-pih-nə; [1] Latin: [proːˈsɛrpɪna]) or Proserpine (/ ˈ p r ɒ s ər p aɪ n / PROSS-ər-pyne [1]) is an ancient Roman goddess whose iconography, functions and myths are virtually identical to those of Greek Persephone.
In a contradicting book called "Persephone Rises, 1860-1927" by Margot Kathleen Louis, she presents that not everyone thought the same as Morley did about Swinburne and the poem. "In the 1870s, Swinburne and Dante Gabriel Rossetti had a close friendship. The painting of a picture of Proserpine with a pomegranate in her hand done by Rossetti may ...
According to another myth, Persephone herself changed him into an eagle owl by sprinkling him with water of the river Phlegethon. [3] Ovid mentions: "So he became the vilest bird; a messenger of grief; the lazy owl; sad omen to mankind." [4] As an owl, he became the familiar bird of Hades, god of the underworld.