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Parataxis (from Greek: παράταξις, "act of placing side by side"; from παρα, para "beside" + τάξις, táxis "arrangement") is a literary technique, in writing or speaking, that favors short, simple sentences, without conjunctions or with the use of coordinating, but not with subordinating conjunctions.
An 1850 acrostic by Nathaniel Dearborn, the first letter of each line spelling the name "JENNY LIND". An acrostic is a poem or other word composition in which the first letter (or syllable, or word) of each new line (or paragraph, or other recurring feature in the text) spells out a word, message or the alphabet. [1]
In poetry, a stanza (/ ˈ s t æ n z ə /; from Italian stanza, Italian:; lit. ' room ') is a group of lines within a poem, usually set off from others by a blank line or indentation. [1] Stanzas can have regular rhyme and metrical schemes, but they are not required to have either. There are many different forms of stanzas.
It can be long or short, light or serious. This is merely an exercise, like taking your imagination out for a walk. Sometimes it’s all it takes to start finding those ideas.
The second stanza of William Blake's London represents an example of anaphora. This image is a digital reproduction of his hand-painted 1826 print from Copy AA of Songs of Innocence and Experience.
A haiku in English is an English-language poem written in a form or style inspired by Japanese haiku.Like their Japanese counterpart, haiku in English are typically short poems and often reference the seasons, but the degree to which haiku in English implement specific elements of Japanese haiku, such as the arranging of 17 phonetic units (either syllables or the Japanese on) in a 5–7–5 ...
Another notable work of early children's poetry is John Bunyan's A Book for Boys and Girls, first published in 1686, and later abridged and re-published as Divine Emblems. [1] It consists of short poems about common, everyday subjects, each in rhyme, with a Christian moral. [5] Mother Goose riding
Reviewing the book, Publishers Weekly wrote: Boyers, a TV producer and art collector, deserves a standing ovation for her performance in pairing Angelou's poem with abstract paintings by the late Basquiat…the proximity of Basquiat's edgy, streetwise pictures adds even greater power and authenticity to Angelou's refrain, "Life doesn't frighten me at all.''