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Two-inch port tube installed in the top of a Polk S10 speaker cabinet as part of a DIY audio project. This port is flared. Unlike closed-box loudspeakers, which are nearly airtight, a bass reflex system has an opening called a port or vent cut into the cabinet, generally consisting of a pipe or duct (typically circular or rectangular cross section).
Older descriptions explained the design in terms of "impedance mismatch", or pressure waves "reflected" back into the enclosure; these descriptions are now considered outdated and inaccurate as technically the transmission line works through selective production of standing waves and constructive and destructive interference (see below).
The design is often described as non-resonant, and some designs are sufficiently stuffed with absorbent material that there is indeed not much output from the line's port. But it is the inherent resonance (typically at 1/4 wavelength) that can enhance the bass response in this type of enclosure, albeit with less absorbent stuffing.
Moving iron speaker. The original loudspeaker design was the moving iron. Unlike the newer dynamic (moving coil) design, a moving-iron speaker uses a stationary coil to vibrate a magnetized piece of metal (called the iron, reed, or armature). The metal is either attached to the diaphragm or is the diaphragm itself.
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Jessica Nicole Hische (/ h ɪ ʃ / HISH; [2] born April 4, 1984) is an American lettering artist, illustrator, author and type designer.She was one of the first of a new generation of letterers and the present-day flourishing of the lettering arts can in part be traced back to her emergence.
Perry graduated from the Minneapolis College of Art and Design [2] in 2003 after changing his major from Art to Graphic Design. After he was rejected for an internship at the Walker Art Center , the museum's design director, Andrew Blauvelt , wrote a note suggesting he apply for a job at Urban Outfitters .
Oblique projection is a simple type of technical drawing of graphical projection used for producing two-dimensional (2D) images of three-dimensional (3D) objects. The objects are not in perspective and so do not correspond to any view of an object that can be obtained in practice, but the technique yields somewhat convincing and useful results.