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C-sharp major, the enharmonic equivalent to D-flat major, has seven sharps, whereas D-flat major only has five flats; thus D-flat major is often used as the parallel major for C-sharp minor. (The same enharmonic situation occurs with the keys of A-flat major and G-sharp minor , and to some extent, with the keys of G-flat major and F-sharp minor ).
The blues scale is so named for its use of blue notes. Since blue notes are alternate inflections, strictly speaking there can be no one blues scale, [8] but the scale most commonly called "the blues scale" comprises the minor pentatonic scale and an additional flat 5th scale degree: C E â™ F G â™ G B â™ C. [9] [10] [11]
Print/export Download as PDF; Printable version; ... Piano Sonata in D-flat major, D 568 (Schubert) Piano Sonata No. 14 (Beethoven) Prelude, Op. 28, No. 15 (Chopin) R.
For example, F major and D minor both have one flat in their key signature at Bâ™; therefore, D minor is the relative minor of F major, and conversely F major is the relative major of D minor. The tonic of the relative minor is the sixth scale degree of the major scale, while the tonic of the relative major is the third degree of the minor ...
D Flat Note. D â™ (D-flat) is a musical note lying a diatonic semitone above C and a chromatic semitone below D. It is thus enharmonic to C ♯. In the French solfège it is known as re bémol. It is the second semitone of the solfège.
The earliest designs of keyboards were based heavily on the notes used in Gregorian chant (the seven diatonic notes plus B-flat) and as such would often include B â™ and B â™® both as diatonic "white notes", with the B â™® at the leftmost side of the keyboard and the B â™ at the rightmost.
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