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Buttered cat paradox: Humorous example of a paradox from contradicting proverbs. Intentionally blank page: Many documents contain pages on which the text "This page intentionally left blank" is printed, thereby making the page not blank. Metabasis paradox: Conflicting definitions of what is the best kind of tragedy in Aristotle's Poetics.
Paradox, however, is essential to the structure and being of the poem. In The Well Wrought Urn Brooks shows that paradox was so essential to poetic meaning that paradox was almost identical to poetry. According to literary theorist Leroy Searle, Brooks' use of paradox emphasized the indeterminate lines between form and content.
The Heresy of Paraphrase" is the name of the paradox where it is impossible to paraphrase a poem because paraphrasing a poem removes its form, which is an integral part of its meaning. Its name comes from a chapter by the same name in Cleanth Brooks's book The Well-Wrought Urn. Critics disagree about if aspects of sound and form can be ...
[4]: 199 The temptation to think of poetry as prose draped in poetic language is strong simply because both are composed with words and differ only in that poetry has meter and rhyme. But Brooks instead wants us to see poetry as like music, a ballet, or a play: The structure of a poem resembles that of a ballet or musical composition.
Cleanth Brooks analysed the sonnet in these terms in The Well Wrought Urn: Studies in the Structure of Poetry. [2] In his essay, "The Language of Paradox", Brooks claims that the poem presents a paradox not in its specific use of images, but in the scenario that the narrator constructs. For instance, London is foregrounded as a natural ...
Although statements can be self referential without being paradoxical ("This statement is written in English" is a true and non-paradoxical self-referential statement), self-reference is a common element of paradoxes. One example occurs in the liar paradox, which is commonly formulated as the self-referential statement "This statement is false ...
The orthodox Catholic writer G. K. Chesterton regularly employed paradox to tease out the meanings in common concepts that he found ambiguous or to reveal meaning often overlooked or forgotten in common phrases: the title of one of his most famous books, Orthodoxy (1908), itself employed such a paradox.
Ivar Nilsson as the Fool in a 1908 stage production of King Lear at The Royal Dramatic Theatre in Sweden [5]. In his article "The Wisdom of the Fool", Walter Kaiser illustrates that the varied names and words people have attributed to real fools in different societies when put altogether reveal the general characteristics of the wise fool as a literary construct: "empty-headed (μάταιος ...