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Referring to characteristic traditions across a wide range of lands, periods, and genres, Islamic art is a concept used first by Western art historians in the late 19th century. [2] Public Islamic art is traditionally non-representational, except for the widespread use of plant forms, usually in varieties of the spiralling arabesque.
EL Seed, a French-Tunisian graffiti artist, makes use of Arabic calligraphy in his various art projects, in a style called calligraffiti. [18] The Hurufiyya (الحروفية letters) movement, since its beginnings in the early 20th century, uses the artistic manipulation of Arabic calligraphy and typography in abstraction. [19]
An ancient Arabic proverb illustrates this point by emphatically stating that "Purity of writing is purity of the soul." [5] However, Islamic calligraphy is not limited to strictly religious subjects, objects, or spaces. Like all Islamic art, it encompasses a diverse array of works created in a wide variety of contexts. [6]
For most aspects, history, and examples of Arabic art see: Islamic art and Category: Islamic art. Subcategories. This category has the following 4 subcategories, out ...
Calligraphers in the early Islamic period used a variety of methods to transcribe Quran manuscripts. Arabic calligraphy became one of the most important branches of Islamic Art. Calligraphers came out with the new style of writing called Kufic. Kufic is the oldest calligraphic form of the various Arabic scripts.
The best known style of Indo-Islamic architecture is Mughal architecture, mostly built between about 1560 and 1720. Early Mughal architecture developed from existing Indo-Islamic architecture but also followed the model of Timurid architecture, due in part to the Timurid ancestry of the Mughal dynasty 's founder, Babur .
A wall covered in zellīj at the Ben Youssef Madrasa in Marrakesh. Zellij (Arabic: زليج, romanized: zillīj), also spelled zillij or zellige, is a style of mosaic tilework made from individually hand-chiseled tile pieces.
Early Islamic art, for example in the famous 8th-century mosaics of the Great Mosque of Damascus, often contained plant-scroll patterns, in that case by Byzantine artists in their usual style. The plants most often used are stylized versions of the acanthus , with its emphasis on leafy forms, and the vine, with an equal emphasis on twining stems.