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One of several songs that Bowie wrote about Orwell's Nineteen Eighty-Four; Bowie had also hoped to produce a televised musical based on the book. [31] "2112" 2112: Rush: Anthem: Ayn Rand: Song shares themes with the novel, such that Neil Peart recognized Rand in the album's liner notes. [32] "Abigail" Creatures: Motionless in White: The ...
"Ten Blake Songs" are poems from Blake's "Songs of Innocence and of Experience" and "Auguries of Innocence", set to music by Ralph Vaughan Williams in 1957. "Tyger" is both the name of an album by Tangerine Dream, which is based on Blake's poetry, and the title of a song on this album based on the poem of the same name.
Dichterliebe, A Poet's Love (composed 1840), is the best-known song cycle by Robert Schumann (Op. 48).The texts for its 16 songs come from the Lyrisches Intermezzo by Heinrich Heine, written in 1822–23 and published as part of Heine's Das Buch der Lieder.
Poetry (from the Greek word poiesis, "making") is a form of literary art that uses aesthetic and often rhythmic [1] [2] [3] qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meanings.
Oral poetry differs from oral literature in general because oral literature encompasses linguistic registers which are not considered poetry. In most oral literature, poetry is defined by the fact that it conforms to metrical rules ; examples of non-poetic oral literature in Western culture include some jokes , speeches and storytelling .
Odia literature is also replete with the champu style poetry. Kabisurjya Baladeba Ratha, Banamali Dasa, Dinakrushna Das are some of the most famous poets who wrote Champu. In Odia literature too, there are numerous works in this genre. There is an added feature though- a Champu in Odia usually has 34 songs, one for each consonant of the alphabet.
As a narrative song, their theme and function may originate from Scandinavian and Germanic traditions of storytelling that can be seen in poems such as Beowulf. [2] Musically they were influenced by the Minnelieder of the Minnesang tradition. [3] The earliest example of a recognizable ballad in form in England is "Judas" in a 13th-century ...
The 60 poems there have the typical German sonnet form, but are written in the long-lined free rhythms developed by Ernst Stadler. [120] Patrick Bridgwater, writing in 1985, called the work "without question the best single collection produced by a German war poet in 1914–18," but adds that it "is to this day virtually unknown even in Germany."