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Early examples indicate that Ottoman decoration developed a preference for floriate motifs. [71] One such motif that was popular throughout the history of Ottoman art is the rumî style, [b] which consists of scrolling, spiraling, and/or intertwining stems with
Empire of the Sultans: Ottoman Art of the Khalili Collection was a 1995–2004 touring exhibition displaying objects from the Khalili Collection of Islamic Art. Around two hundred exhibits, including calligraphy, textiles, pottery, weapons, and metalwork, illustrated the art and daily life of six centuries of the Ottoman Empire .
Osman Hamdi Bey (30 December 1842 – 24 February 1910 [1]) was an Ottoman administrator, intellectual, art expert and also a prominent and pioneering painter. He was the Ottoman Empire's first modern archaeologist, and is regarded as the founding father of both archaeology and the museum curator's professions in Turkey. [2]
As Miletus had a long history as a pottery producing centre, it was erroneously assumed that the pottery was produced locally and it became known as 'Miletus ware'. It is now believed that İznik was the main centre for the production of 'Miletus ware' with smaller quantities being produced at Kütahya and Akçaalan. [ 25 ]
Osman's Dream is a mythological story relating to the life of Osman I, founder of the Ottoman Empire.The story describes a dream experienced by Osman while staying in the home of a religious figure, Sheikh Edebali, in which he sees a metaphorical vision predicting the growth and prosperity of an empire to be ruled by him and his descendants.
Ottoman art is therefore the dominant element of Turkish art before the 20th century, although the Seljuks and other earlier Turks also contributed. The 16th and 17th centuries are generally recognized as the finest period for art in the Ottoman Empire , much of it associated with the huge Imperial court.
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Turkish or Ottoman illumination refers to non-figurative painted or drawn decorative art found in manuscripts or on sheets in muraqqa. [1] In Turkish it is called “tezhip”, [2] meaning “ornamenting with gold”. The Classical Islamic style of manuscript illumination combines techniques from Turkish, Persian, and Arabic traditions.
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