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The ska stroke up or ska upstroke, skank or bang, is a guitar strumming technique that is used mostly in the performance of ska, rocksteady, and reggae music. [5] It is derived from a form of rhythm and blues arrangement called the shuffle, a popular style in Jamaican blues parties of the 1940s, 1950s and 1960s.
The guitar in reggae usually plays the chords on beats two and four, a musical figure known as skank or the 'bang'. It has a very dampened, short and scratchy chop sound, almost like a percussion instrument. Sometimes a double chop is used when the guitar still plays the off beats, but also plays the following 16th or 8th beat on the up-stroke.
Shakespeare had been trying acoustic guitar and drums, but when he heard Family Man's bass playing, he was attracted to the deep bass sound. Shakespeare recalled saying "I wan fi learn how to play this thing [bass]. You haffi teach me", [8] and Barrett agreed to give Shakespeare bass lessons.
Rowan (right) with Flaco Jiménez on stage at Farnham, U.K., 1985 Rowan and the Free Mexican Airforce at DelFest 2009. Rowan was born in Wayland, Massachusetts to a musical family. [2] From an early age, he had an interest in music and learned to play the guitar from his uncle. [2]
One Drop drum pattern, half-time variant [3] [1] [5] Play ⓘ.Also typical ska pattern. [4]One drop rhythm is a reggae style drum beat.. Popularized by Carlton Barrett, long-time drummer of Bob Marley and the Wailers, [6] the creator is disputed, and it has been attributed to drummers including Barrett, [7] [8] and his brother Aston, [9] and Winston Grennan.
RJ Ronquillo (born 1976 in Detroit, MI) is an American session and touring guitarist and YouTube personality. [1] He has performed and recorded with artists such as Ricky Martin, Santana, Tupac Shakur, Stone Sour, Stevie Wonder, and Corey Taylor.
Mento is a style of Jamaican folk music that predates and has greatly influenced ska and reggae music. [2] It is a fusion of African rhythmic elements and European elements, which reached peak popularity in the 1940s and 1950s. [3]
During the 1950s, Ranglin played guitar on calypso and mento releases, some of which were recorded for the tourist market. The 1958 albums The Wrigglers Sing Calypso at the Arawak as well as Jamaica Fabulous Island in the Sun - Denzil Laing and the Wigglers Sing Again (Kalypso FR 1002) recorded at Federal Studio are representative of the type of calypso floor show that Jamaican bands performed ...
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