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Traditional Chinese visual design elements: their applicability in contemporary Chinese design (Master of Science in Design thesis). Arizona State University. Welch, Patricia Bjaaland (2012). Chinese art : a guide to motifs and visual imagery. Boston, US: Tuttle Publishing. ISBN 978-1-4629-0689-5. OCLC 893707208. Williams, Charles (2006).
The emblem's outer border contains sheaves of wheat and rice, representing Chinese agricultural workers. At the bottom center is a cog-wheel, representing Chinese industrial workers. The red ribbon represents the unification of the Chinese people. National anthem: The national anthem of China is the "March of the Volunteers".
The meander is a fundamental design motif in regions far from a Hellenic orbit: labyrinthine meanders ("thunder" pattern [3]) appear in bands and as infill on Shang bronzes (c. 1600 BC – c. 1045 BC), and many traditional buildings in and around China still bear geometric designs almost identical to meanders.
Chinese paper cutting is a treasured traditional Chinese art dating back to when paper was developed. Paper cutting became popular as a way of decorating doors and windows as paper became more accessible. These elaborate cutting designs are created with scissors or artwork knives and can include a variety of shapes, such as symbols and animals.
The Twelve Ornaments (Chinese: 十二章; pinyin: Shí'èr zhāng) are a group of ancient Chinese symbols and designs that are considered highly auspicious. They were employed in the decoration of textile fabrics in ancient China, which signified authority and power, and were embroidered on vestments of state.
Chinese art is visual art that originated in or is practiced in China, Greater China or by Chinese artists. Art created by Chinese residing outside of China can also be considered a part of Chinese art when it is based on or draws on Chinese culture , heritage, and history.
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Both relate to Chinese art in other media, and use the existing vocabulary of Chinese ornament for borders. The first type of subject is scenes of people in a landscape, derived mainly from Chinese painting and woodcut book illustrations; such scenes were only later to be found in Chinese ceramics .