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This redirect is within the scope of WikiProject Songs, a collaborative effort to improve the coverage of songs on Wikipedia. If you would like to participate, please visit the project page, where you can join the discussion and see a list of open tasks.
Crown: An Ode to the Fresh Cut is a 2017 picture book by Derrick Barnes, illustrated by Gordon C. James. The book, Barnes' first picture book, is a poem describing a ...
Haiku by Matsuo Bashō reading "Quietly, quietly, / yellow mountain roses fall – / sound of the rapids". Haiku (俳句, listen ⓘ) is a type of short form poetry that originated in Japan.
"Until I Bleed Out" is a song by the Canadian singer-songwriter the Weeknd from his fourth studio album After Hours. [1] It was released as the closing track from the album on March 20, 2020. [ 2 ] It was written and produced alongside Metro Boomin , Oneohtrix Point Never , Prince 85, and Notinbed.
"Blood in the Cut" is a song by American musician K.Flay as the lead single from her second studio album Every Where Is Some Where. [ 1 ] [ 2 ] It was released through Interscope and Night Street Records on September 7, 2016, originally appearing as the first track on K.Flay's fourth EP Crush Me .
Brackett finds the cut in all African American folk and popular music "from ring to rap" and lists the blues (AAB), "Rhythm" changes in jazz, the AABA form of bebop, the ostinato vamps at the end of gospel songs allowing improvisation and a rise in energy, short ostinatos of funk which spread that intensity throughout the song, samples in rap ...
Native to Australia, the trees, which are commonly referred to as red gum or bloodwood trees (for obvious reasons), exhibit a shockingly human characteristic: they "bleed" when they're cut into ...
The song was mashed up and remixed by Steve Aoki. [6] It is a mashup of Aoki and Linkin Park's previous two collaborations, "A Light That Never Comes", which was released in 2013 from Linkin Park's second remix album Recharged, and "Darker Than Blood" from Aoki's third studio album Neon Future II.