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The poem is classified as one of Donne's love poems, "marked by an energetic, often bawdy wit, a new explicitness about sexual desire and experience, and an irreverent new attitude towards authority figures". [2] Several poetic conventions, such as the blason, metaphysical conceit, neoplatonism and allusion are used by Donne in this work.
"Sonnet X", also known by its opening words as "Death Be Not Proud", is a fourteen-line poem, or sonnet, by English poet John Donne (1572–1631), one of the leading figures in the metaphysical poets group of seventeenth-century English literature. Written between February and August 1609, it was first published posthumously in 1633.
There is a poem of John Donne, written just before his death, which I know and love. From it a quotation: "As West and East / In all flatt Maps—and I am one—are one, / So death doth touch the Resurrection." That still does not make a Trinity, but in another, better known devotional poem Donne opens, "Batter my heart, three-person'd God;—."
Should'st Rubies find: I by the Tide Of Humber would complain. I would Love you ten years before the Flood: And you should if you please refuse Till the Conversion of the Jews. My vegetable Love should grow Vaster than Empires, and more slow. A hundred years should go to praise Thine Eyes, and on thy Forehead Gaze. Two hundred to adore each breast:
There is no scholarly consensus regarding the structure of Holy Sonnet XIV; different critics refer to particular parts of this poem either as an octave and a sestet (following the style of the Petrarchan sonnet, with a prominent example being Robert H. Ray's argument [4]), three quatrains and a couplet (the division established by the English sonnet, an example being an article by ...
John Donne's poetry represented a shift from classical forms to more personal poetry. Donne is noted for his poetic metre, which was structured with changing and jagged rhythms that closely resemble casual speech (it was for this that the more classical-minded Ben Jonson commented that "Donne, for not keeping of accent, deserved hanging"). [15]
"The Good-Morrow" is a poem by John Donne, published in his 1633 collection Songs and Sonnets. Written while Donne was a student at Lincoln's Inn, the poem is one of his earliest works and is thematically considered to be the "first" work in Songs and Sonnets.
The poem was set to music by Pelham Humfrey in the 17th century and posthumously published in Harmonia Sacra, Book 1 (1688). A typical performance takes about 3 minutes. [2] [3] His setting has been included in 10 hymnals, under such other titles as its opening line, "Wilt Thou Forgive That Sin, Where I Begun", but without always crediting him as composer, or Donne as the author of the words. [4]