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The sumptuous palazzi of noblemen and the middle-classes began to be decorated with tapestries, sculptures, frescos and lavish furniture. The most powerful Italian families of the time, such as the Florentine Medici, the Roman Farnese, the Milanese Sforza, the Italo-Spanish Borgia and the Urbinese Montefeltro had their palaces decorated with ...
This room consisted of "Barbella-like" space interiors where furniture became structure elements and vice versa. Traditional furniture was replaced by functional elements like the sitting cubes Night-Cell and Central-Living as well as the Kitchen-Box, to create a dynamic, multifunctional living space. The kitchen-box (1963), on wheels and ...
A collection of objects by the Memphis Group Memphis Group furniture featured within a living room space. The Memphis Group, also known as Memphis Milano, was an Italian design and architecture group founded by Ettore Sottsass. It was active from 1980 to 1987. [1]
Although the trend has expanded from the retro-themed designs it was notorious for, it's become a design staple in home offices, living rooms, and bedrooms. The term has increased in searches in ...
Giovanni "Gio" Ponti (Italian pronunciation: [ˌdʒo pˈponti]; 18 November 1891 – 16 September 1979) was an Italian architect, industrial designer, furniture designer, artist, teacher, writer and publisher. [4] During his career, which spanned six decades, Ponti built more than a hundred buildings in Italy and in the rest of the world.
Italian Rococo furniture was usually upholstered with rich and colourful fabrics, such as velvet and silk, and furniture was usually lacquered. [1] Furniture from Piedmont was typically very French in style, Lombardy produced more sober and wooden furnishings, Genoa was known for its rich fabrics and colourful styles, and Venice for its ...
Italian Neoclassical furniture was loosely based on that of Louis XVI styles but was made unique by the usage of exaggeratedly shaped backs and necks which were recessed. [1] Armoires, or armadi made by the Venetians were more geometrically shaped than the Rococo ones, but were usually gilded in gold and silver, and had a few intricate details ...
Massimo Iosa Ghini is recognized as a pioneer of Bolidism, an artistic style emphasizing the aesthetics of visual media over the traditional function of furniture. The objective of Bolidism is to depict the transition from materiality to a more visual representation of objects, drawing inspiration from contemporary styles and the older style of futurism, especially its fascination with the ...
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