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Furniture from Piedmont was typically very French in style, Lombardy produced more sober and wooden furnishings, Genoa was known for its rich fabrics and colourful styles, and Venice for its extravagant and luxurious interiors. [1] Italian chairs and sofas were also greatly inspired by the French fauteils, but Italian seats and settees' backs ...
Much furniture was also relatively grotesque (a French variation of the Italian word grottesco), often creating sculpted odd-looking gargoyles and monsters to make these items seem more amusing. [1] Caryatids became popular at the time, and were made out of marble (the rich people used them as legs to their dining tables).
Italian Neoclassical furniture was loosely based on that of Louis XVI styles but was made unique by the usage of exaggeratedly shaped backs and necks which were recessed. [1] Armoires, or armadi made by the Venetians were more geometrically shaped than the Rococo ones, but were usually gilded in gold and silver, and had a few intricate details ...
Italian Baroque interior design refers to high-style furnishing and interior decorating carried out in Italy during the Baroque period, which lasted from the early 17th to the mid-18th century. In provincial areas, Baroque forms such as the clothes-press or armadio continued to be used into the 19th century.
At first, in the early 1900s, Italian furniture designers struggled to create an equal balance between classical elegance and modern creativity, and initially, Italian interior design in the 1910s and 1920s was very similar to that of French art deco styles, using exotic materials and creating sumptuous furniture.
Giovanni "Gio" Ponti (Italian pronunciation: [ˌdʒo pˈponti]; 18 November 1891 – 16 September 1979) was an Italian architect, industrial designer, furniture designer, artist, teacher, writer and publisher.
Studio 65 played an essential role in the Radical movement in Italian design in the 1960-70s. Some of the most famous products they designed are the Bocca sofa [ 2 ] and Capitello chair [ 3 ] . Other notable projects include the Leonardo sofa, which became one of the icons of the Radical Design movement, the interior design of the Casa Canella ...
Memphis was born on the evening of December 11, 1980, when Sottsass invited a group of young designers and architects to discuss the future of design. [3] Together, they wanted to change the concept of what design had been focused on, which had been Modernism and aimed to do so by creating and forming a new design collective.
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