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A prologue or prolog (from Greek πρόλογος prólogos, from πρό pró, "before" and λόγος lógos, "word") is an opening to a story that establishes the context and gives background details, often some earlier story that ties into the main one, and other miscellaneous information.
A prologue is a prefatory piece of writing. Prologue may also refer to: A prologue time trial, a short opening stage often used in road cycling races; Movie prologue, a stage show performed in movie theaters, mainly in the silent film era
Prologue is a 2015 British animated short film directed by Richard Williams and produced by Imogen Sutton. It was the final film directed by Williams before his death ...
Prologue, an opening to a story that establishes context and may give background Keynote , the first non-specific talk on a conference spoken by an invited (and usually famous) speaker in order to sum up the main theme of the conference.
Richard Edmund Williams (né Lane; March 19, 1933 – August 16, 2019) was a Canadian-British animator, voice actor, and painter.A three-time Academy Award winner, he is best known as the animation director on Who Framed Roger Rabbit (1988) -- for which he won two Academy Awards—and as the director of his unfinished feature film The Thief and the Cobbler (1993). [1]
A five-minute prologue to the 2022 film Jurassic World Dominion was released in 2021, initially as an IMAX-exclusive preview and later as an online short film.It is the second live-action short film in the Jurassic Park franchise, following Battle at Big Rock (2019).
The prologue to Luke in the 11th-century Greek minuscule 1828 [1] The anti-Marcionite prologues are three short prefaces to the gospels of Mark, Luke and John. No prologue to Matthew is known. They were originally written in Greek, but only the prologue to Luke survives in the original language.
A movie prologue or prolog was a short live vaudeville show, performed at the start of film showings in movie theaters in the United States, especially at the end of the silent film era in the 1920s and early 1930s. The idea was first introduced by Sid Grauman in 1918 at his theaters in Hollywood. Many imitations followed. [1]