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The Shroud of Turin, a linen cloth that tradition associates with the crucifixion and burial of Jesus, has undergone numerous scientific tests, the most notable of which is radiocarbon dating, in an attempt to determine the relic 's authenticity. In 1988, scientists at three separate laboratories dated samples from the Shroud to a range of 1260 ...
The Shroud of Turin is a length of linen cloth bearing the negative image of a man who is alleged to be Jesus of Nazareth. The cloth itself is believed by some to be the burial shroud he was wrapped in when he was buried after his crucifixion. The origins of the shroud and its images are the subject of multiple fringe theories.
Central detail of the shroud with the face (left). The 2015 Exposition of the Shroud of Turin begins in the Turin Cathedral, Italy. The Shroud of Turin is a linen cloth with the image of a man.
Shroud of Turin. The History of the Shroud of Turin begins in the year 1390 AD, when Bishop Pierre d'Arcis wrote a memorandum where he charged that the Shroud was a forgery. [1] Historical records seem to indicate that a shroud bearing an image of a crucified man existed in the possession of Geoffroy de Charny in the small town of Lirey, France ...
The Shroud of Turin (Italian: Sindone di Torino), also known as the Holy Shroud[2][3] (Italian: Sacra Sindone), is a length of linen cloth that bears a faint image of the front and back of a man. It has been venerated for centuries, especially by members of the Catholic Church, as the actual burial shroud used to wrap the body of Jesus of ...
A photo of the Shroud of Turin face, positive left, negative on the right, having been contrast enhanced. The Shroud of Turin is the best-known and most intensively studied relic of Jesus. [9] In 1988, radiocarbon dating determined that the shroud was from the Middle Ages, between the years 1260 and 1390. [10]
Raymond Rogers. Raymond N. Rogers (July 21, 1927 – March 8, 2005) was an American chemist who was considered a leading expert in thermal analysis. To the general public, however, he was best known for his work on the Shroud of Turin.
One of Nickell's many objections to the Shroud's authenticity is the proportions of the figure's face and body. Both are consistent with the proportions used by Gothic artists of the period and are not those of an actual person. [38] Experts on both sides of the controversy have tried to duplicate the Shroud using medieval and modern methods.