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The Blue Angel (German: Der blaue Engel) is a 1930 German musical comedy-drama film directed by Josef von Sternberg and starring Marlene Dietrich, Emil Jannings and Kurt Gerron. Written by Carl Zuckmayer, Karl Vollmöller and Robert Liebmann, with uncredited contributions by Sternberg, it is based on Heinrich Mann 's 1905 novel Professor Unrat ...
Sammy Lerner (English) "Falling in Love Again (Can't Help It)" is the English language name for a 1930 German song composed by Friedrich Hollaender as " Ich bin von Kopf bis Fuß auf Liebe eingestellt" (literally: "I am, from head to toe, ready for love"). The song was originally performed in the 1930 film Der Blaue Engel (English translation ...
Marlene Dietrich (27 December 1901 – 6 May 1992) was a German and American actress and singer. In the 1920s, she acted on the Berlin stage and in silent films, making her film debut in 1922. She was propelled to international fame by director Josef von Sternberg, who cast her as Lola-Lola in The Blue Angel (1930).
In 1930, on the strength of The Blue Angel's international success, and with encouragement and promotion from Josef von Sternberg, who was established in Hollywood, Dietrich moved to the United States under contract to Paramount Pictures, the U.S. film distributor of The Blue Angel.
The Blue Angel is a 1959 American drama film in CinemaScope directed by Edward Dmytryk and starring Curd Jürgens, May Britt, and Theodore Bikel. [4] The film is a remake of Josef von Sternberg's 1930 film The Blue Angel about cabaret singer Lola-Lola and the troubled, aged Professor Rath, who falls for her much to his own detriment.
Jannings is best known for his collaborations with F. W. Murnau and Josef von Sternberg, including the 1930 film The Blue Angel (Der blaue Engel), with Marlene Dietrich. The Blue Angel was meant as a vehicle for Jannings to score a place for himself in the new medium of sound film, but Dietrich stole the show.
Appearance. Pre-code. In this 1931 publicity photo, Dorothy Mackaill plays a secretary-turned-prostitute in Safe in Hell, a pre-Code Warner Bros. film. Pre-Code films such as The Public Enemy (1931) were able to feature criminal, anti-hero protagonists. Pre-Code Hollywood was an era in the American film industry that occurred between the ...
Film historian Andrew Sarris – from The Films of Josef von Sternberg (1966) "This is the Shanghai Express. Everybody must talk like a train." Josef von Sternberg, when asked why all the actors in the film spoke in an even monotone. The theme of the work, as in most of Sternberg's films, is "an examination of deception and desire" in a spectacle pitting Dietrich against Clive Brook, a ...
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