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As per the band members, Siakol is a term they coin which pertains to a "free, happy and sometimes naughty state of mind". It is also alluded to be a word play of jakol, Filipino slang for masturbation.
Alfredo " Fred " Panopio (February 2, 1939 – April 22, 2010) was a Filipino singer and actor who rose to fame in the 1960s and 1970s. He is known for having made the yodeling style of music famous in the Philippines. This particular kind of music is evident is many of his hits, such as "Pitong Gatang," "Markado," and "Tatlong Baraha".
Manila sound is styled as catchy and melodic, with smooth, lightly orchestrated, accessible folk/soft rock, sometimes fused with funk, light jazz and disco.However, broadly speaking, it includes quite a number of genres (e.g. pop, vocal music, soft rock, folk pop, disco, soul, Latin jazz, funk etc.), and should therefore be best regarded as a period in Philippine popular music rather than as a ...
Sponge Cola (sometimes spelled Spongecola) is a Filipino rock band formed in 2002. The band is composed of Yael Yuzon on vocals and guitars, Gosh Dilay on bass, Armo Armovit on guitars and drummer Tedmark Cruz. One of the most popular rock bands in the Philippines, Sponge Cola has produced a number of hit songs, including "Jeepney", "KLSP ...
Just a few years after their hiatus, the tribute album Kami nAPO Muna was released in honor of the group. The Filipino musical artists who did their own unique renditions of APO songs includes: Imago, Orange and Lemons, Parokya ni Edgar, Kamikazee, Sandwich, Sugarfree, Itchyworms, Sponge Cola, Boldstar, Sound, Drip, Rocksteddy, Top Suzara, Barbie Almalbis, Kitchie Nadal, Shamrock, and The Dawn.
Julie Anne Peñaflorida San Jose (born May 17, 1994) is a Filipino singer and actress. She rose to prominence after competing in the reality singing competition Popstar Kids in 2005. San Jose is one of the best-selling recording artists of the 2010s decade in the Philippines. [1] She is the youngest recipient of the Diamond Record Award from ...
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Kundiman was the traditional means of serenade in the Philippines. The kundiman emerged as an art song at the end of the 19th century and by the early 20th century, its musical structure was formalised by Filipino composers such as Francisco Santiago and Nicanor Abelardo; they sought poetry for their lyrics, blending verse and music in equal parts.