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The term " crazy quilting " is often used to refer to the textile art of crazy patchwork and is sometimes used interchangeably with that term. Crazy quilting does not actually refer to a specific kind of quilting (the needlework which binds two or more layers of fabric together), but a specific kind of patchwork lacking repeating motifs and ...
A patchwork quilt is a quilt in which the top layer may consist of pieces of fabric sewn together to form a design. [ 1 ] Originally, this was to make full use of leftover scraps of fabric, but now fabric is often bought specially for a specific design. Fabrics are now often sold in quarter meters (or quarter yards in the United States).
A unique form of patchwork quilt is the crazy quilt. Crazy quilting was popular during the Victorian era (mid–late 19th century). The crazy quilt is made up of random shapes of luxurious fabric such as velvets, silks, and brocades and buttons, lace, and other embellishments left over from the gowns they had made for themselves. The patchwork ...
Chinese patchwork is a traditional form of Chinese needlework which has been widely circulated in Chinese folk arts. [1] In China, patchwork has been used for millennia. [2] Chinese patchwork is made by sewing scraps of fabric together into a desired shape to form design art with a distinctive theme. [3] This technique is still used in Chinese ...
Quilting. Quilted skirt (silk, wool and cotton – 1770–1790), Jacoba de Jonge-collection MoMu, Antwerp / Photo by Hugo Maertens, Bruges. Quilting is the process of joining a minimum of three layers of fabric together either through stitching manually using a needle and thread, or mechanically with a sewing machine or specialised longarm ...
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A 1979 quilt by Lucy Mingo of Gee's Bend, Alabama. It includes a nine-patch center block surrounded by pieced strips. The quilts of Gee's Bend are quilts created by a group of women and their ancestors who live or have lived in the isolated African-American hamlet of Gee's Bend, Alabama along the Alabama River.
In Stitched from the Soul (1990), Gladys-Marie Fry asserted that quilts were used to communicate safe houses and other information about the Underground Railroad, which was a network through the United States and into Canada of "conductors", meeting places, and safe houses for the passage of African Americans out of slavery.
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