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  2. Gouache - Wikipedia

    en.wikipedia.org/wiki/Gouache

    Gouache (/ ɡ u ˈ ɑː ʃ, ɡ w ɑː ʃ /; French:), body color, [a] or opaque watercolor is a water-medium paint consisting of natural pigment, water, a binding agent (usually gum arabic or dextrin), [1] and sometimes additional inert material. Gouache is designed to be opaque. Gouache has a long history, having been used for at least twelve ...

  3. List of art techniques - Wikipedia

    en.wikipedia.org/wiki/List_of_art_techniques

    a Collage by Pablo Picasso cut and pasted colored paper, gouache and charcoal on paperboard. Camaïeu technique; Cast paper; Ceramic forming techniques; Cerography; Champlevé; Chiaroscuro technique; Cloisonné; Collage; Contour drawing technique; Contour rivalry; Crosshatching

  4. The Best Professional Gouache Sets for Painterly ... - AOL

    www.aol.com/best-professional-gouache-sets...

    Like any other paint, gouache comes in a range of grades, and it can […] Skip to main content. 24/7 Help. For premium support please call: 800-290-4726 more ways to ...

  5. Casein paint - Wikipedia

    en.wikipedia.org/wiki/Casein_paint

    Casein paint has been used since ancient Egyptian times as a form of distemper paint, and is still used today. One of the qualities for which artists value casein paint is that unlike gouache, it dries to an even consistency, making it ideal for murals.

  6. Conservation and restoration of paintings - Wikipedia

    en.wikipedia.org/wiki/Conservation_and...

    Damage to Watercolor and Gouache paintings can be prevented and mitigated by maintaining temperature and relative humidity within acceptable ranges, and low light conditions. As with pastel works, watercolor and gouache paintings should be mounted and framed.

  7. Seated Woman with Bent Knees - Wikipedia

    en.wikipedia.org/wiki/Seated_Woman_with_Bent_Knees

    Schiele's incorporation of "an expressive tonality and the visible strokes done with gouache" help complete the visual presence of Seated Woman. [1] The expressiveness of the piece's lines and marks were achieved by Schiele's application of "fairly dry, scumbled paint" and usage of "stiff brushes and different amounts of water in each area". [5]

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