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Milton's most notable works, including Paradise Lost, are written in blank verse: unrhymed iambic pentameter. He was not the first to use blank verse, which had been a mainstay of English drama since the 1561 play Gorboduc.
As the examples show, iambic pentameter need not consist entirely of iambs, nor need it have ten syllables. Most poets who have a great facility for iambic pentameter frequently vary the rhythm of their poetry as Donne and Shakespeare do in the examples, both to create a more interesting overall rhythm and to highlight important thematic elements.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Heroic couplet: written in iambic pentameter. Poulter's measure: couplets in which a 12-syllable iambic line rhymes with a 14-syllable iambic line. [1] Envoi (or envoy): the brief stanza that ends French poetic forms such as the ballade or sestina. Ghazal; Octave: an 8-line stanza or poem.
Like many of the others in the sequence, it is written in a type of metre called iambic pentameter, which is based on five pairs of metrically weak/strong syllabic positions per line. Typically English sonnets present a problem or argument in the quatrains, and a resolution in the final couplet. [2]
Most of the lines are examples of regular iambic pentameter, including the 10th line: × / × / × / × / × / Whilst he upon your soundless deep doth ride; (80.10) / = ictus , a metrically strong syllabic position. × = nonictus .
Poetic Diction is a style of writing in poetry which encompasses vocabulary, phrasing, and grammatical usage. Along with syntax, poetic diction functions in the setting the tone, mood, and atmosphere of a poem to convey the poet's intention. Poetic devices shape a poem and its meanings.
with a suitable definition of elision, there are no mid-line extra-metrical syllables; the stresses may fall at any point in the line, although most lines have the standard five stresses, there are examples of lines with only three and four stresses. Thus according to Bridges' analysis Milton was writing a form of syllabic verse. At the time ...