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"More Than Words" is a song by American rock band Extreme. It is a ballad featuring acoustic guitar work by Nuno Bettencourt and the vocals of Gary Cherone (with harmony vocals from Bettencourt). They both wrote the song, which was produced by Michael Wagener and represented a departure from the band's usual funk metal style. [ 4 ] "
Jazz harmony is notable for the use of seventh chords as the basic harmonic unit more often than triads, as in classical music. [2] In the words of Robert Rawlins and Nor Eddine Bahha, "7th chords provide the building blocks of jazz harmony." [2] The piano and guitar are the two instruments that typically provide harmony for a jazz group ...
Though the album "[focuses] on the same funk-metal vibe as [their debut]", it became massively popular due to the acoustic single "More Than Words". [7] According to authors HP Newquist and Pete Prown, the album has "a bewildering array of song styles—heavy metal, ballads, funk, etc.". [8]
In music theory, chord substitution is the technique of using a chord in place of another in a progression of chords, or a chord progression. Much of the European classical repertoire and the vast majority of blues, jazz and rock music songs are based on chord progressions. "A chord substitution occurs when a chord is replaced by another that ...
Chords with more than three notes include added tone chords, extended chords and tone clusters, which are used in contemporary classical music, jazz and almost any other genre. A series of chords is called a chord progression. [1] One example of a widely used chord progression in Western traditional music and blues is the 12 bar blues progression.
Like "More Than Words", the style of this song is different from the majority of its parent album. The song's videoclip was shot outside the Boston Centre for the Arts at 551 Tremont Street in Boston (street number seen on many of the pans around the band).
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When the root is a higher note (E G C or G C E), the chord is inverted but retains the same root. Classified chords in tonal music usually can be described as stacks of thirds (even although some notes may be missing, particularly in chords containing more that three or four notes, i.e. 7ths, 9ths, and above).
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