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The San Marco Altarpiece (also known as Madonna and Saints) is a painting by the Italian early Renaissance painter Fra Angelico, housed in the San Marco Museum of Florence, Italy. It was commissioned by Cosimo de' Medici the Elder , and was completed sometime between 1438 and 1443.
The Fiesole Altarpiece is a painting by the Italian early Renaissance master Fra Angelico, executed around 1424–1425. It is housed in the Convent of San Domenico, Fiesole, central Italy. The background was repainted by Lorenzo di Credi in 1501.
Angelico intervened to complete this altarpiece when it had been already begun by Lorenzo Monaco for the Strozzi Chapel in the Florentine church of Santa Trinita. It portrays Christ supported by several people, with Mary Magdalene kissing his feet, as a symbol of human repentance. A figure on the right, with a red hat, is showing the cross's ...
The Prado Annunciation is an altarpiece painted by the Italian Renaissance painter Giovanni da Fiesole, known as Fra Angelico, in the 1420s. It is one of his best-known works. Originally destined for the convent of the observant Dominicans of Fiesole, the painting is currently in the collection of the Museo del Prado in Madrid.
Annunciation of Cortona (1433-1434) by Fra Angelico The central painting. The Annunciation of Cortona is a panel-painting altarpiece or retable by the Italian Renaissance painter Fra Angelico: once housed in the Church of Gesù of Cortona, it is now held at the Museo Diocesano in Cortona.
The paintings are two of eight side panels of a large altarpiece painted in 1439 for Fra Angelico's monastery at San Marco, which was later split up by Napoleon's army. While the centre section is still at the monastery, the other six small panels are in German and US museums. These two panels were presumed lost forever.
This included the altarpiece, the inside of the monk's cells, the friar's cloister, the chapter house, and inside the corridors; around fifty pieces in total. [2] All of the paintings were done by Angelico himself or under his direct supervision. [3] Out of all of the frescos at the convent, the Annunciation is the most well known in the art world.
Annalena Altarpiece with predella by Fra Angelico, c. 1438–40 (frame removed), sometimes considered the "first" instance of the sacra conversazione format [1]. In art, a sacra conversazione (Italian: [ˈsaːkra koɱversatˈtsjoːne]; plural: sacre conversazioni), meaning "holy (or sacred) conversation", is a genre developed in Italian Renaissance painting, with a depiction of the Virgin and ...
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