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Francesco Borromini (/ ˌ b ɒr ə ˈ m iː n i /, [1] Italian: [franˈtʃesko borroˈmiːni]), byname of Francesco Castelli (Italian: [kaˈstɛlli]; 25 September 1599 – 2 August 1667), [2] was an Italian architect born in the modern Swiss canton of Ticino [3] who, with his contemporaries Gian Lorenzo Bernini and Pietro da Cortona, was a leading figure in the emergence of Roman Baroque ...
Pages in category "Francesco Borromini buildings" The following 15 pages are in this category, out of 15 total. This list may not reflect recent changes. A.
The architecture of the U.S. state of Texas comes from a wide variety of sources. Many of the state's buildings reflect Texas' Spanish and Mexican roots; in addition, there is considerable influence from mostly the American South as well as the Southwest. Rapid economic growth since the mid twentieth century has led to a wide variety of ...
Francesco Borromini offered to complete the commission free of charge in order to start his career as a solo architect. [2] The monastic buildings and the cloister were completed first, after which construction of the church took place during the period 1638–1641; in 1646 it was dedicated to Saint Charles Borromeo. Although the idea for the ...
This image is a derivative work of the following images: File:Borromini_Drawing_02.jpg licensed with PD-Art, PD-old, PD-old/en 2006-03-25T20:23:26Z Fb78 2426x2744 (1628333 Bytes) {{en|Sebastiano Giannini: Section of [[San Carlo alle Quattro Fontane]], ca. 1730}} [[Category:Buildings by Francesco Borromini]] Uploaded with derivativeFX
4 0 Upper East: 191 Randall: 4 0 Gulf Coast: 192 Reagan: 1 0 West Texas: 193 Real: 1 0 South Texas: 194 Red River: 7 0 Upper East: 195 Reeves 0 0 West Texas: 196 Refugio: 5 0 South Texas: 197 Roberts: 1 0 Gulf Coast: 198 Robertson: 5 0 Central: 199 Rockwall: 2 0 Metroplex: 200 Runnels: 4 0 Northwest: 201 Rusk: 7 0 Upper East: 202 Sabine: 2 0 ...
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Sant'Ivo alla Sapienza: Francesco Borromini. Bernini's main rival in Rome was Francesco Borromini, known for breaking away from classical styles. Seen as revolutionary, Borromini rejected the human-centered designs of the 16th century, opting instead for complex geometric shapes.