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Italian "solfeggio" and English/French "solfège" derive from the names of two of the syllables used: sol and fa.[2] [3]The generic term "solmization", referring to any system of denoting pitches of a musical scale by syllables, including those used in India and Japan as well as solfège, comes from French solmisation, from the Latin solfège syllables sol and mi.
The system for other Western countries is similar, though si is often used as the final syllable rather than ti. Guido of Arezzo is thought likely to have originated the modern Western system of solmization by introducing the ut–re–mi–fa–so–la syllables, which derived from the initial syllables of each of the first six half-lines of ...
When a musical key or key signature is referred to in a language other than English, that language may use the usual notation used in English (namely the letters A to G, along with translations of the words sharp, flat, major and minor in that language): languages which use the English system include Irish, Welsh, Hindi, Japanese (based on katakana in iroha order), Korean (based on hangul in ...
B, also known as Si, Ti, or, in some European countries, H, [1] is the seventh note and the twelfth semitone of the fixed-Do solfège. Its enharmonic equivalents are C ♭ (C-flat) and A (A-double sharp). When calculated in equal temperament with a reference of A above middle C as 440 Hz, the frequency of Middle B (B 4) is 493.883 Hz. [2]
The lyrics teach the solfège syllables by linking them with English homophones (or near-homophones): Doe: a deer, a female deer, alludes to the first solfège syllable, do. Ray: a drop of golden sun, alludes to the second solfège syllable, re. Me: a name I call myself, alludes to the third solfège syllable, mi.
A drawback often pointed out is that numerical numbers are not always "singable," for example, scale degree 7 (ti, in solfege) contains vowels that are hard to tune. Numerical sight singing is not the same as integer notation derived from musical set theory and used primarily for sight singing atonal music.
Such systems use as their syllables the note names "do, re, mi, fa, so, la, ti, do" (familiar to most people due to the song "Do-Re-Mi" from The Sound of Music). A few books (e.g. A few books (e.g. "The Good Old Songs" by C. H. Cayce) present the older seven-note syllabification of "do, re, mi, fa, so, la, si, do".
In Romance languages, SI is still used to this day. I believe that TI was adopted, possibly in an English-speaking country, in order that the first letters be distinct from one another, namely d r m f s l t. For the purposes of singing, SI is easier to pronounce. For the purposes of writing and studying solfege, TI makes more sense.