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In the Peace Garden there is a life-size bronze statue of Stepanek and his service dog, Micah, surrounded by chess tables. [11] Throughout the park are presentations of quotes from Stepanek. [citation needed] On June 6, 2010, a performance of Heartsongs took place at Carnegie Hall. It featured Stepanek's poetry, set to music by composer Joseph ...
The poem is one of Li's shi poems, structured as a single quatrain in five-character regulated verse with a simple AABA rhyme scheme (at least in its original Middle Chinese dialect as well as the majority of contemporary Chinese dialects). It is short and direct in accordance with the guidelines for shi poetry, and cannot be conceived as ...
Peace, peace! he is not dead, he doth not sleep He hath awakened from the dream of life 'Tis we, who lost in stormy visions, keep With phantoms an unprofitable strife, And in mad trance, strike with our spirit's knife Invulnerable nothings. — We decay Like corpses in a charnel; fear and grief Convulse us and consume us day by day,
The painting By the Pool is one of the three greatest works of the artist — together with the paintings Over Eternal Peace (1894) and Lake (1899–1900) [7] [8] Together with two other works from the first half of the 1890s —Over Eternal Peace and Vladimirka (1892)— By the Pool is sometimes grouped into the so-called "dark" or "dramatic ...
The Waste Land is a poem by T. S. Eliot, widely regarded as one of the most important English-language poems of the 20th century and a central work of modernist poetry. Published in 1922, the 434-line [ A ] poem first appeared in the United Kingdom in the October issue of Eliot's magazine The Criterion and in the United States in the November ...
The twelve-line poem is divided into three quatrains and is an example of Yeats's earlier lyric poems. The poem expresses the speaker's longing for the peace and tranquility of Innisfree while residing in an urban setting. He can escape the noise of the city and be lulled by the "lake water lapping with low sounds by the shore."
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The original, English-language piece that the central lines of Rutter's piece are directly excerpted from is a poem in the book The Dominion of Dreams: Under the Dark Star, [3] by Celtic Revival writer William Sharp / Fiona Macleod; while not containing the words "Jesus," or "Amen," [4] the poem does mention both "the Son of Peace" and "the ...