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Kagura (神楽 (かぐら), "god-entertainment") is a type of Shinto ritual ceremonial dance. The term is a contraction of the phrase kami no kura ("seat of god"), indicating the presence of gods in the practice. One major function of kagura is chinkon (purifying and shaking the spirit), involving a procession-trance process.
The term became another word for the country or the location of Japan itself. The term can be used interchangeably with Toyoashihara no Nakatsukuni. A-un (阿吽, lit. ' Om ') – In Shinto-Buddhism, a-un is the transliteration in Japanese of the two syllables "a" and "hūṃ", written in Devanagari as अहूँ (the syllable, Om).
A miko (), or shrine maiden, [1] [2] is a young priestess [3] who works at a Shinto shrine. Miko were once likely seen as shamans, [4] but are understood in modern Japanese culture to be an institutionalized [5] role in daily life, trained to perform tasks, ranging from sacred cleansing [4] to performing the sacred Kagura dance.
Ame-no-Uzume-no-Mikoto (Japanese: 天宇受売命, 天鈿女命) is the goddess of dawn, mirth, meditation, revelry and the arts in the Shinto religion of Japan, and the wife of fellow-god Sarutahiko Ōkami. (-no-Mikoto is a common honorific appended to the names of Japanese gods; it may be understood as similar to the English honorific 'the ...
Japanese traditional dance describes a number of Japanese dance styles with a long history and prescribed method of performance. Some of the oldest forms of traditional Japanese dance may be among those transmitted through the kagura tradition, or folk dances relating to food producing activities such as planting rice ( dengaku ) and fishing ...
Japanese gods and goddesses, called kami, are uniquely numerous (there are at least eight million) and varied in power and stature. [1] They are usually descendants from the original trio of gods that were born from nothing in the primordial oil that was the world before the kami began to shape it.
Noh (能, Nō, derived from the Sino-Japanese word for "skill" or "talent") is a major form of classical Japanese dance-drama that has been performed since the 14th century. . It is the oldest major theater art that is still regularly performed today.
Fuji Musume (藤娘, The Wisteria Maiden) is a kabuki dance with lyrics written by Katsui Genpachi, choreography by Fujima Taisuke and music by Kineya Rokusaburô IV, first performed in 1826. [ 1 ] Originally part of a set of five different dances performed as a sequence, Fuji Musume is the only one that has survived. [ 2 ]