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In recent years, this calligraphy form has been receiving more popularity for use in ornaments (such as in decorated clocks, frames, stickers), logos (that usually implies Islamic enterprises in government and private sectors), and even in freestyle Arabic calligraphy competitions.
Bahishti Zewar (Urdu: بہشتی زیور transl. "jewels of paradise"; English: Heavenly Ornaments) is a volume of Deobandi beliefs and practices written by Ashraf Ali Thanwi and Ahmed Ali Fatehpuri. [1] The book is comprehensive handbook of fiqh, Islamic rituals and morals, it is especially aimed at the education of girls and women.
Islamic ornament is the use of decorative forms and patterns in Islamic art and Islamic architecture. Its elements can be broadly divided into the arabesque , using curving plant-based elements, geometric patterns with straight lines or regular curves, and calligraphy , consisting of religious texts with stylized appearance, used both ...
There is no text, but there is a grid pattern and color-coding used to highlight symmetries and distinguish three-dimensional projections. Drawings such as shown on this scroll would have served as pattern-books for the artisans who fabricated the tiles, and the shapes of the girih tiles dictated how they could be combined into large patterns.
It is a highly stylized and structured form of handwriting that follows artistic conventions and is often used for Islamic religious texts, architecture, and decoration. [2] It includes Arabic, Persian, Ottoman, and Urdu calligraphy. [3] [4] It is known in Arabic as khatt Arabi (خط عربي), literally meaning 'line', 'design', or ...
The sarpech (Urdu: سرپیچ /Hindi: सरपेच, from Persian), also known as an aigrette, is a turban ornament that was worn by significant Hindu, Sikh and Muslim princes. Sar means "head" or "front" and pech means "screw", giving the word "sarpech" the literal meaning "that which is screwed onto the front (of the turban)".
The dominant tradition of miniature painting in the late Middle Ages was that of Persia, which had a number of centres, but all usually dependent on one key patron, whether the shah himself, or a figure either governing a part of the country from a centre such as Herat, where Baysunghur was an important patron in the early 15th century, or the ruler of a further part of the Persianate world in ...
In Turkish it is called “tezhip”, [2] meaning “ornamenting with gold”. The Classical Islamic style of manuscript illumination combines techniques from Turkish, Persian, and Arabic traditions. The Classical Islamic style of manuscript illumination combines techniques from Turkish, Persian, and Arabic traditions.