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In morphology and lexicography, a lemma (pl.: lemmas or lemmata) is the canonical form, [1] dictionary form, or citation form of a set of word forms. [2] In English, for example, break, breaks, broke, broken and breaking are forms of the same lexeme, with break as the lemma by which they are indexed.
With; used in very many musical directions, for example con allegrezza (with liveliness), con calma (calmly lit. ' with calm '); (see also col and colla) con dolcezza See dolce con sordina or con sordine (plural) With a mute, or with mutes. Frequently seen in music as (incorrect Italian) con sordino, or con sordini (plural). concerto
Lemma (morphology), the canonical, dictionary or citation form of a word Lemma (psycholinguistics) , a mental abstraction of a word about to be uttered Science and mathematics
Surface forms of words are those found in natural language text. The corresponding lexical form of a surface form is the lemma followed by grammatical information (for example the part of speech, gender and number). In English give, gives, giving, gave and given are surface forms of the verb give. The lexical form would be "give", verb.
For example, in Spanish, nouns composed of a verb and its plural object usually have the verb first and noun object last (e.g. the legendary monster chupacabras, literally "sucks-goats", or in a more natural English formation "goatsucker") and the plural form of the object noun is retained in both the singular and plural forms of the compound ...
For example, in the English language, run, runs, ran and running are forms of the same lexeme, which can be represented as RUN. [note 1] One form, the lemma (or citation form), is chosen by convention as the canonical form of a lexeme. The lemma is the form used in dictionaries as an entry's headword. Other forms of a lexeme are often listed ...
Conversely, a marked form may happen to have a zero affix, like the genitive plural of some nouns in Russian (e.g. сапо́г). In some languages, the same forms of a marker have multiple functions, such as when used in different cases or declensions (for example -īs in Latin).
The first one claims that the foundation for musical scales and for the existence of a tonal centre in music can be seen in the physical basis of overtone series or in the psychoacoustic properties of chord in tonal music respectively. But in recent time there is strong evidence for the second point of view that syntax reflects abstract ...