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The romance (the term is Spanish, and is pronounced accordingly: Spanish pronunciation:) is a metrical form used in Spanish poetry. [1] It consists of an indefinite series ( tirada ) of verses, in which the even-numbered lines have a near-rhyme ( assonance ) and the odd lines are unrhymed.
Such poems are of a discussion nature, such as Elena y María and Reason to Love. Hagiographic poems include Life of St. María Egipciaca and Book of the Three Wise Men. Mature works, like The Book of Good Love and Rhyming Book of the Palace, were not included in the genre until the 14th century. [3]
Some of the characteristics of Romantic poetry are: The I, the inner self. José de Espronceda, setting down in his Canto a Teresa a painful confession of love and disappointment, managed with great skill to translate his feelings into poetry. Passionate love, with its sudden and total surrenders and quick abandonments. The agony and the ecstasy.
Twenty Love Poems and a Song of Despair (Spanish: Veinte poemas de amor y una canción desesperada) is a poetry collection by the Chilean poet Pablo Neruda. Published in June 1924, the book launched Neruda to fame at the young age of 19 and is one of the most renowned literary works of the 20th century in the Spanish language.
First page of the manuscript. Scachs d'amor (Valencian: [esˈkagz ðaˈmoɾ], meaning "Chess of Love"), whose complete title is Hobra intitulada scachs d'amor feta per don Francí de Castellví e Narcis Vinyoles e mossén Fenollar, is the name of a poem written by Francesc de Castellví, Bernat Fenollar, and Narcís Vinyoles, published in Valencia, Crown of Aragon, towards the end of the 15th ...
A romancero is a collection of Spanish romances, a type of folk ballad (sung narrative). The romancero is the entire corpus of such ballads. As a distinct body of literature they borrow themes such as war, honour, aristocracy and heroism from epic poetry, especially the medieval cantar de gesta and chivalric romance, and they often have a pretense of historicity.
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Traditional: which perpetuates the themes and forms coming from the medieval tradition. It includes the traditional lyric (carols, little songs of love, romance texts, etc.) as much as the song book poetry of the 15th century in its loving and didactic moral side. It is bound to the use of short verses, specially the verse with eight syllables.